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Diseño de interiores : guía útil para estudiantes y profesionales / Autores: 
The Interior Design Reference & Specification Book Autores:
The Interior Design Reference & Specification Book collects the information essential to planning and executing interior projects of all shapes and sizes, and distills it in a format that is as easy to use as it is to carry. In this new, revised edition, you'll also find interviews with top practitioners drawn across the field of interior design. Some of the topics this excellent reference will explore with you include:-Fundamentals: Provides a step-by-step overview of an interior project, describing the scope of professional services, the project schedule, and the design and presentation tools used by designers. -Space: Examines ways of composing rooms as spatial environments while speaking to functional and life-safety concerns. -Surface: Identifies options in color, material, texture, and pattern, while addressing maintenance and performance issues.-Environments: Looks at aspects of interior design that help create a specific mood or character, such as natural and artificial lighting, sound, and smell.-Elements: Describes the selection and specification of furniture and fixtures, as well as other components essential to an interior environment, such as artwork and accessories.-Resources: Gathers a wealth of useful data, from sustainability guidelines to online sources for interiors-related research.
Human Dimension and Interior Space : A Source Book of Design Reference Standards / Autores:
The study of human body measurements on a comparative basis is known as anthropometrics. Its applicability to the design process is seen in the physical fit, or interface, between the human body and the various components of interior space.Human Dimension and Interior Space is the first major anthropometrically based reference book of design standards for use by all those involved with the physical planning and detailing of interiors, including interior designers, architects, furniture designers, builders, industrial designers, and students of design. The use of anthropometric data, although no substitute for good design or sound professional judgment should be viewed as one of the many tools required in the design process. This comprehensive overview of anthropometrics consists of three parts.The first part deals with the theory and application of anthropometrics and includes a special section dealing with physically disabled and elderly people. It provides the designer with the fundamentals of anthropometrics and a basic understanding of how interior design standards are established. The second part contains easy-to-read, illustrated anthropometric tables, which provide the most current data available on human body size, organized by age and percentile groupings. Also included is data relative to the range of joint motion and body sizes of children. The third part contains hundreds of dimensioned drawings, illustrating in plan and section the proper anthropometrically based relationship between user and space. The types of spaces range from residential and commercial to recreational and institutional, and all dimensions include metric conversions.In the Epilogue, the authors challenge the interior design profession, the building industry, and the furniture manufacturer to seriously explore the problem of adjustability in design. They expose the fallacy of designing to accommodate the so-called average man, who, in fact, does not exist. Using government data, including studies prepared by Dr. Howard Stoudt, Dr. Albert Damon, and Dr. Ross McFarland, formerly of the Harvard School of Public Health, and Jean Roberts of the U.S. Public Health Service, Panero and Zelnik have devised a system of interior design reference standards, easily understood through a series of charts and situation drawings. With Human Dimension and Interior Space, these standards are now accessible to all designers of interior environments.
Interior Design / Autores:
Aimed at prospective and new students, this book gives a comprehensive introduction to the nature and practice of interior design as well as invaluable information about education and careers and gives a balanced inside view of the business today. Its broad, up-to-date approach unites history, theory, and practice. Subjects covered include how to develop a program with a client; presentations and sample boards; choosing materials and designs; project planning and management. For the new edition, many of the examples of interiors have been updated and there is additional information on sustainability in interior design. The sections covering drawings and CAD have also been thoroughly revised and expanded to take account of changes in current practice in this area and also to provide more practical guidance on drawing, either by hand or using CAD software.
Unbounded: On the Interior and Interiority / Autores:
In interior design, the definition and popular perception of the interior has long been concerned with bounded spaces, and with the relationship between private and public realms. However, two issues have challenged traditional boundaries between interior and exterior, and private and public: first, the emergence of new technological practices, and second, a broader understanding of diverse cultures. Popular perceptions of public and private space are currently being revised, and the interior is increasingly unbound in various ways, as many of the contributors to this volume (and the colloquium which preceded it) show. Both technological and cultural practices challenge and disrupt the common-sense idea of an interior space as a contained enclosure with clearly defined boundaries. Instead, the blurriness and ambiguity between public and private, inside and outside, and interiority and exteriority are challenging understandings of the interior.This book provides additional perspectives on the shifting understanding of the interior and its recent transformations through case studies of both real and “unreal” places. These include writings about the interiority of rooms, buildings, streets and cities with diverse social, cultural and political contexts, such as the transformation of Soviet-style living spaces in Hanoi and Bishkek; the appropriation of everyday spaces in Tokyo; the uses of fengshui in corporate office towers in Shanghai and Hong Kong; the exploration of urban boundaries in Beirut; and the relationship between making domestic spaces and urban planning practices in Guatemalan communities in Florida. This volume also features chapters on virtual spaces, including one that examines human interaction with spaces of virtual reality in the Vitthala Temple in India, and another that analyses the representation and development of modern interiors through popular tapestries from the 1920s and 1930s.
Rethinking Design and Interiors: Human Beings in the Built Environment / Autores:
The world is increasingly and rapidly being affected by environmental and technological changes. It is imperative that the design profession address these developments with a new way of thinking. This book points the way for the design of interiors in this newly complex world and will be indispensable for students, practitioners, and theoreticians. The book is divided into four chapters that explore aspects of the human experience of the interior, from man's earliest search for shelter to an outline of past and current thinking on design, psychology and well-being. An epilog looks at such future concerns as population growth and sustainability and suggests how the design profession can confront these challenges. Rethinking Design and Interiors is a fascinating exploration of how art and science can come together for the benefit of those who inhabit the built environment.
Designing Interior Architecture: Concept, Typology, Material, Construction / Autores:
Designing interior spaces is a task that is equally relevant as architecture, landscape architecture, and urban design for those working professionally in the built environment. In this comprehensive work, an international and interdisciplinary team of authors presents the essential aspects of the various fields of contemporary interior architecture and design. The project examples are illustrated with brilliant photographs and plans. They have been selected according to consistent criteria for all chapters of the book and represent the essential building types, including exhibition stand design, as well as a broad range of today's design approaches.The authors place the collaboration between the various design disciplines at the center of focus. The appendix contains information for further research. All in all, Designing Interior Architecture is a fundamental reference work for all those professionally engaged with the design.
Key Interiors Since 1900 / Autores:
This book defines the history of modern interior design through the reuse of existing buildings. This approach allows the history of the interior to be viewed as separate from the history of architecture and instead enables the interior to develop its own historical narrative. The book is organized around six thematic chapters: home, work, retail, display, leisure and culture. Each one comprises a selection of case studies in chronological order. 52 key examples dating from 1900 to the present are explored in terms of context, concept, organization and detail and are illustrated with photographs, plans, sections, concept drawings and sketches. This unique history will be invaluable for students of interior architecture and design seeking a survey tailored especially for them, as well as appealing to interested general readers.
Interior Spaces: Space, Light, Materials Autores:
Space, light and material: from the meditative ambiance of a chapel or synagogue to the colourful, organic forms of fashion boutiques, the design of an interior space - composed of lighting, the surfaces, textures and colours of materials, finishing and features - creates atmosphere and lends specific character. The growing willingness on the part of designers in recent years to experiment with colours, materials and spatial concepts is demonstrated in the range and diversity of international examples presented in this, the third volume in the series'In Detail'. All plans and drawings of interiors and furnishings have been carefully researched and drawn by the staff of DETAIL. Three introductory essays by expert authors are followed by 28 exemplary case-studies by such names as Alvaro Siza, Future Systems, Dominique Perrault, and Herzog & de Meuron.
Interiors and Interiority Autores:
The book explores the historical connections between the notions of architectural interior, subjective space, human interiority, and represented space including virtual space.In the 18th century the notion of'interiority'understood as a paradigm of human subjectivity came to be articulated in a sustained way in architectural and visual, rather than only literary forms. While the notion of the interior and the processes of'interiorization'were, as Walter Benjamin demonstrated, the defining features of 19th-century bourgeois culture, it is the different forms of conceptual assault on, or deconstruction of interiority that define the approach to space and self in the 20th and 21st centuries. The book examines models of understanding'interiority'as these were developed in relation to notions of space and spatial experience.
Interior Gardens: Designing and Constructing Green Spaces in Private and Public Buildings Autores:
This book offers a comprehensive introduction to the planning and implementation of this special kind of garden, taking the concrete planning process as its guide. From design fundamentals and concept development with different typology variants all the way to the choice of materials, the various construction principles, and building services, all subjects relevant to planning are comprehensively presented.The planning information is illustrated with numerous international examples, with projects ranging from a'green wall'as interior design element and private house gardens in Australia, New Zealand, and Germany all the way to award – winning ecological office buildings in the USA and the Netherlands, an old - age home in Sweden, and an indoor park in Canada.
El proyecto de arquitectura : concepto, proceso y representación / Autores:
Este libro trata de descubrir y transmitir qué es el proyecto de arquitectura, cómo se concibe, cómo se elabora y cómo se representa. El proyecto es hoy el núcleo central de la enseñanza y de la práctica de la arquitectura, la cual se genera, se desarrolla y se comunica a través de la realización de proyectos. En esta segunda edición, además de actualizar y ampliar algunos de sus contenidos, hemos cambiado la estructura del volumen, para permitir que los aspectos operativos e instrumentales estén al inicio, mientras que el desarrollo histórico y los análisis metodológicos y críticos se sitúen al final del libro. La intención no es otra que ganar en claridad y facilitar la lectura y la utilización de su contenido a los estudiantes de arquitectura.
Métodos de planificación y control de obras / Autores:
Este libro propone un recorrido por los métodos de planificación de los que disponen los profesionales de la construcción, desde los tradicionales PERT y CPM hasta las últimas teorías.. La obra resulta ser un compendio de los fundamentos de la planificación, y combina las experiencias y especialidades de los autores en la creación y divulgación de herramientas de control del presupuesto, sistemas productivos, actividades, tareas, recursos y duraciones, revelando la importancia de la planificación de las obras en la conquista de la productividad.
The Prehistory of Home Autores:
Many animals build shelters, but only humans build homes. No other species creates such a variety of dwellings. Drawing examples from across the archaeological record and around the world, archaeologist Jerry D. Moore recounts the cultural development of the uniquely human imperative to maintain domestic dwellings. He shows how our houses allow us to physically adapt to the environment and conceptually order the cosmos, and explains how we fabricate dwellings and, in the process, construct our lives. The Prehistory of Home points out how houses function as symbols of equality or proclaim the social divides between people, and how they shield us not only from the elements, but increasingly from inchoate fear.
The Megalithic Architectures of Europe Autores:
Megalithic monuments are among the most striking remains of the Neolithic period of northern and western Europe and are scattered across landscapes from Pomerania to Portugal. Antiquarians and archaeologists early recognized the family resemblance of the different groups of tombs, attributing them to maritime peoples moving along the western seaways. More recent research sees them rather as the product of established early farming communities in their individual regions. Yet the diversity of the tombs, their chronologies and their varied cultural contexts complicates any straightforward understanding of their origins and distribution. Megalithic Architectures provides new insight by focusing on the construction and design of European megalithic tombs – on the tomb as an architectural project. It shows how much is to be learned from detailed attention to the stages and the techniques through which tombs were built, modified and enlarged, and often intentionally dismantled or decommissioned. The large slabs that were employed, often unshaped, may suggest an opportunistic approach by the Neolithic builders, but this was clearly far from the case. Each building project was unique, and detailed study of individual sites exposes the way in which tombs were built as architectural, social and symbolic undertakings. Alongside the manner in which the materials were used, it reveals a store of knowledge that sometimes differed considerably from one structure to another, even between contemporary monuments within a single region. The volume brings together regional specialists from Scandinavia, Germany, Britain, France, Belgium and Iberia to offer a series of uniquely authoritative studies. Results of recent fieldwork are fully incorporated and much of the material is published here for the first time in English. It provides an invaluable overview of the current state of research on European megalithic tombs.
Picturing the Bronze Age Autores:
Pictures from the Bronze Age are numerous, vivid and complex. There is no other prehistoric period that has produced such a wide range of images spanning from rock art to figurines to decoration on bronzes and gold. Fourteen papers, with a geographical coverage from Scandinavia to the Iberian Peninsula, examine a wide range of topics reflecting the many forms and expressions of Bronze Age imagery encompassing important themes including religion, materiality, mobility, interaction, power and gender. Contributors explore specific elements of rock art in some detail such as the representation of the human form; images of manslaughter; and gender identities. The relationship between rock art imagery and its location on the one hand, and metalwork and networks of trade and exchange of both materials and ideas on the other, are considered. Modern and ancient perceptions of rock art are discussed, in particular the changing perceptions that have developed during almost 150 years of documented research. Picturing the Bronze Age is based on an international workshop with the same title held in Tanum, Sweden in October 2012.
The Significance of Monuments: On the Shaping of Human Experience in Neolithic and Bronze Age Europe Autores:
The Neolithic period, when agriculture began and many monuments - including Stonehenge - were constructed, is an era fraught with paradoxes and ambiguities. Starting in the Mesolithic and carrying his analysis through to the Late Bronze Age, Richard Bradley sheds light on this complex period and the changing consciousness of these prehistoric peoples. The Significance of Monuments studies the importance of monuments tracing their history from their first creation over six thousand years later. Part One discusses how monuments first developed and their role in developing a new sense of time and space among the inhabitants of prehistoric Europe. Other features of the prehistoric landscape - such as mounds and enclosures - across Continental Europe are also examined. Part Two studies how such monuments were modified and reinterpreted to suit the changing needs of society through a series of detailed case studies. The Significance of Monuments is an indispensable text for all students of European prehistory. It is also an enlightening read for professional archaeologists and all those interested in this fascinating period.
A critical history of contemporary architecture Autores: 
Art History after Deleuze and Guattari Autores:
At the crossroads of philosophy, artistic practice, and art history Though Gilles Deleuze and Felix Guattari were not strictly art historians, they reinvigorated ontological and formal approaches to art, and simultaneously borrowed art historical concepts for their own philosophical work. They were dedicated modernists, inspired by the German school of expressionist art historians such as Riegl, Wölfflin, and Worringer and the great modernist art critics such as Rosenberg, Steinberg, Greenberg, and Fried. The work of Deleuze and Guattari on mannerism and Baroque art has led to new approaches to these artistic periods, and their radical transdisciplinarity has influenced contemporary art like no other philosophy before it. Their work therefore raises important methodological questions on the differences and relations among philosophy, artistic practice, and art history.
The Art, History and Architecture of Florentine Churches Autores:
Churches and palaces in Florence have been the subject matter of book-length, often multi-volume studies over the centuries. This book is a compendium of the main churches in Florence and has been written with two distinct audiences in mind: English-speaking students of Renaissance art, architecture, literature and history and the well-read traveller to Florence who wishes to place the works of art and architecture into the wider context of Italian culture.The choice of churches discussed here was influenced by the author's experience as teacher for several university programmes on site in Florence. The buildings described and analysed are those which students will most likely encounter in the course of their study-abroad stay in Florence, whether they wish to specialise in art, architecture or the history of the Florentine Renaissance.This book represents a textbook that offers concise information on the history, art, and architecture of 25 of the main Florentine churches, provides plans and photos of the façades, and introduces the student to some of the most important vocabulary and the main textual sources of the thirteenth to the seventeenth centuries.
Maya Imagery, Architecture, and Activity : Space and Spatial Analysis in Art History Autores:
Maya Imagery, Architecture, and Activity privileges art historical perspectives in addressing the ways the ancient Maya organized, manipulated, created, interacted with, and conceived of the world around them. The Maya provide a particularly strong example of the ways in which the built and imaged environment are intentionally oriented relative to political, religious, economic, and other spatial constructs.In examining space, the contributors of this volume demonstrate the core interrelationships inherent in a wide variety of places and spaces, both concrete and abstract. They explore the links between spatial order and cosmic order and the possibility that such connections have sociopolitical consequences. This book will prove useful not just to Mayanists but to art historians in other fields and scholars from a variety of disciplines, including anthropology, archaeology, geography, and landscape architecture.
Changing ideals in modern architecture / Autores: 
Cosmos and Community in Early Medieval Art Autores:
In the rapidly changing world of the early Middle Ages, depictions of the cosmos represented a consistent point of reference across the three dominant states—the Frankish, Byzantine, and Islamic Empires. As these empires diverged from their Greco-Roman roots between 700 and 1000 A.D. and established distinctive medieval artistic traditions, cosmic imagery created a web of visual continuity, though local meanings of these images varied greatly. Benjamin Anderson uses thrones, tables, mantles, frescoes, and manuscripts to show how cosmological motifs informed relationships between individuals, especially the ruling elite, and communities, demonstrating how domestic and global politics informed the production and reception of these depictions. The first book to consider such imagery across the dramatically diverse cultures of Western Europe, Byzantium, and the Islamic Middle East, Cosmos and Community in Early Medieval Art illuminates the distinctions between the cosmological art of these three cultural spheres, and reasserts the centrality of astronomical imagery to the study of art history.
Byzantine Art Autores:
For more than a millennium, from its creation in 330 CE until its fall in 1453, the Byzantine Empire was a cradle of artistic effervescence that is only beginning to be rediscovered. Endowed with the rich heritage of Roman, Eastern, and Christian cultures, Byzantine artists developed an architectural and pictorial tradition, marked by symbolism, whose influence extended far beyond the borders of the Empire. Today, Italy, North Africa, and the Near East preserve the vestiges of this sophisticated artistic tradition, with all of its mystical and luminous beauty. The magnificence of the palaces, churches, paintings, enamels, ceramics, and mosaics from this civilisation guarantees Byzantine art's powerful influence and timelessness.
The Genesis of Roman Architecture Autores:
This groundbreaking study traces the development of Roman architecture and its sculpture from the earliest days to the middle of the 5th century BCE. Existing narratives cast the Greeks as the progenitors of classical art and architecture or rely on historical sources dating centuries after the fact to establish the Roman context. Author John North Hopkins, however, allows the material and visual record to play the primary role in telling the story of Rome's origins, synthesizing important new evidence from recent excavations. Hopkins's detailed account of urban growth and artistic, political, and social exchange establishes strong parallels with communities across the Mediterranean. From the late 7th century, Romans looked to increasingly distant lands for shifts in artistic production. By the end of the archaic period they were building temples that would outstrip the monumentality of even those on the Greek mainland. The book's extensive illustrations feature new reconstructions, allowing readers a rare visual exploration of this fragmentary evidence.
The Emergence of the Classical Style in Greek Sculpture Autores:
In this wide-ranging study, Richard Neer offers a new way to understand the epoch-making sculpture of classical Greece. Working at the intersection of art history, archaeology, literature, and aesthetics, he reveals a people fascinated with the power of sculpture to provoke wonder in beholders. Wonder, not accuracy, realism, naturalism or truth, was the supreme objective of Greek sculptors. Neer traces this way of thinking about art from the poems of Homer to the philosophy of Plato. Then, through meticulous accounts of major sculpture from around the Greek world, he shows how the demand for wonder-inducing statues gave rise to some of the greatest masterpieces of Greek art. Rewriting the history of Greek sculpture in Greek terms and restoring wonder to a sometimes dusty subject, The Emergence of the Classical Style in Greek Sculpture is an indispensable guide for anyone interested in the art of sculpture or the history of the ancient world.
Vitruvianism Autores:
Vitruvius' De architectura, the only extant work from Antiquity dedicated to Architecture, has had a rich and diverse reception history. The present volume aims to highlight the different aspects of this history, showing how Vitruvius'work was systematically and continuously misunderstood to justify innovation. Its comprehensive and in-depth analyses make this book a reference work in the field of Vitruvian scholarship.
Shaping Ceremony: Monumental Steps and Greek Architecture Autores:
Offering a fresh approach to ancient Greek architecture, Shaping Ceremony focuses on the overlooked subject of monumental steps. Written in a clear and readable style, the book presents three complementary ways of studying steps: examining how the human body works on steps; theoretical perspectives on the relationship between architecture and human behavior; and the socio-political effects of steps'presence. Although broad steps are usually associated with emperors and political dominance, Mary B. Hollinshead argues that earlier, in Greek sanctuaries, they expressed and reinforced communal authority. From this alternate perspective, she expands the traditional intellectual framework for studying Greek architecture. The heart of the study is a close reading of thirty-eight sites with monumental steps from the sixth through second centuries B.C. Organized by century, the book tracks the development of built pathways and grandstands for crowds of worshippers as evidence of the Greeks'increasing awareness of the power of architecture to shape behavior and concentrate social energy. With photographs and illustrations of plans, Shaping Ceremony offers a clear account of how Greeks'adaptation of terrain for human use promoted social cohesion and integrated architectural compositions.
Chinese Architecture and Metaphor Autores:
Investigating the historical tradition of Chinese architectural writing from antiquity to the twelfth century, Chinese Architecture and Metaphor reveals significant and fascinating social and cultural phenomena in the most important primary text for the study of the Chinese building tradition. Unlike previous scholarship, which has reviewed this imperially commissioned architectural manual largely as a technical work, this volume considers the Yingzao fashi's unique literary value and explores the rich cultural implications in and behind its technical content.Utilizing a philological approach, the author pays particular attention to the traditional and contemporary architectural terminology presented in the Yingzao fashi. In examining the semantic meaning of the architectural terms used in the manual, he uncovers a systematic architectural metaphor wherein bracketing elements are likened to flowers, flowering branches, and foliage: Thus pillars with bracketing above are compared to blossoming trees. More importantly, this intriguing imagery was shared by different social groups, in particular craftsmen and literati, and craftsmen themselves employed literary knowledge in naming architectural elements. Relating these phenomena to the unprecedented flourishing of literature, the literati's greater admiration of technical knowledge, and the higher intellectual capacity of craftsmen during the Song, Architecture and Metaphor demonstrates how the learned and “unlearned” cultures entangled in the construction of architectural knowledge in premodern China. It convincingly shows that technical language served as a faithful carrier of contemporary popular culture and aesthetic concepts.Chinese Architecture and Metaphor demonstrates a high level of engagement with a broad spectrum of sophisticated Chinese sources. It will become a classic work for all students and scholars of East Asian architecture.
Oriental Interiors: Design, Identity, Space / Autores:
Since the publication of Edward Said's groundbreaking work Orientalism 35 years ago, numerous studies have explored the West's fraught and enduring fascination with the so-called Orient. Focusing their critical attention on the literary and pictorial arts, these studies have, to date, largely neglected the world of interior design. Oriental Interiors is the first book to fully explore the formation and perception of eastern-inspired interiors from an orientalist perspective. Orientalist spaces in the West have taken numerous forms since the 18th century to the present day, and the fifteen chapters in this collection reflect that diversity, dealing with subjects as varied and engaging as harems, Turkish baths on RMS Titanic, Parisian bachelor quarters, potted palms, and contemporary yoga studios. It explores how furnishings, surface treatments, ornament and music, for example, are deployed to enhance the exoticism and pleasures of oriental spaces, looking across a range of international locations. Organized into three parts, each introduced by the editor, the essays are grouped by theme to highlight critical paths into the intersections between orientalist studies, spatial theory, design studies, visual culture and gender studies, making this essential reading for students and researchers alike.
Constantinople to Córdoba: Dismantling Ancient Architecture in the East, North Africa and Islamic Spain Autores:
Offering a multitude of examples through the centuries, this book examines how the architecture of the ancient world was transformed or destroyed under Byzantium and Islam, to produce new forms which often owed their materials and sometimes their styles to the past.
The Art of Building in the Classical World Autores:
This book examines the application of drawing in the design process of classical architecture, exploring how the tools and techniques of drawing developed for architecture subsequently shaped theories of vision and representations of the universe in science and philosophy. Building on recent scholarship that examines and reconstructs the design process of classical architecture, John R. Senseney focuses on technical drawing in the building trade as a model for the expression of visual order, showing that the techniques of ancient Greek drawing actively determined concepts about the world. He argues that the uniquely Greek innovations of graphic construction determined principles that shaped the massing, special qualities and refinements of buildings and the manner in which order itself was envisioned.
Architecture and Mathematics in Ancient Egypt Autores:
In this fascinating study, architect and Egyptologist Corinna Rossi analyses the relationship between mathematics and architecture in ancient Egypt by exploring the use of numbers and geometrical figures in ancient architectural projects and buildings. While previous architectural studies have searched for abstract'universal rules'to explain the history of Egyptian architecture, Rossi attempts to reconcile the different approaches of archaeologists, architects and historians of mathematics into a single coherent picture. Using a study of a specific group of monuments, the pyramids, and placing them in the context of their cultural and historical background, Rossi argues that theory and practice of construction must be considered as a continuum, not as two separated fields, in order to allow the original planning process of a building to re-emerge. Highly illustrated with plans, diagrams and figures, this book is essential reading for all scholars of Ancient Egypt and the architecture of ancient cultures.
Monumentality and the Roman Empire Autores:
The quality of'monumentality'is attributed to the buildings of few historical epochs or cultures more frequently or consistently than to those of the Roman Empire. It is this quality that has helped to make them enduring models for builders of later periods. This extensively illustrated book, the first full-length study of the concept of monumentality in Classical Antiquity, asks what it is that the notion encompasses and how significant it was for the Romans themselves in moulding their individual or collective aspirations and identities. Although no single word existed in antiquity for the qualities that modern authors regard as making up that term, its Latin derivation - from monumentum,'a monument'- attests plainly to the presence of the concept in the mentalities of ancient Romans, and the development of that notion through the Roman era laid the foundation for the classical ideal of monumentality, which reached a height in early modern Europe. This book is also the first full-length study of architecture in the Antonine Age - when it is generally agreed the Roman Empire was at its height. By exploring the public architecture of Roman Italy and both Western and Eastern provinces of the Roman Empire from the point of view of the benefactors who funded such buildings, the architects who designed them, and the public who used and experienced them, Edmund Thomas analyses the reasons why Roman builders sought to construct monumental buildings and uncovers the close link between architectural monumentality and the identity and ideology of the Roman Empire itself.
Gothic Art Autores:
Gothic art finds its roots in the powerful architecture of the cathedrals of northern France. It is a medieval art movement that evolved throughout Europe over more than 200 years. Leaving curved Roman forms behind, the architects started using flying buttresses and pointed arches to open up cathedrals to daylight. A period of great economic and social change, the Gothic era also saw the development of a new iconography celebrating the Holy Mary – in drastic contrast to the fearful themes of dark Roman times. Full of rich changes in all of the various art forms (architecture, sculpture, painting, etc.), Gothic art paved the way for the Italian Renaissance and International Gothic movement.
The Splendour of English Gothic Architecture Autores:
This book explains and celebrates the richness of Englishchurches and cathedrals, which have a major place inmedieval architecture. The English Gothic style developedsomewhat later than in France, but rapidly developed itsown architectural and ornamental codes. The author, John Shannon Hendrix, classifies English Gothic architecture in four principal stages: the early English Gothic, the decorated, the curvilinear, and the perpendicular Gothic. Several photographs of these architectural testimonies allow us to understand the whole originality of Britain during the Gothic era: in Canterbury, Wells, Lincoln, York, and Salisbury.
Gothic Legacies Autores:
As this exciting contribution to interdisciplinary studies in the arts shows, the art and architecture of the Middle Ages were reworked, reframed and reinterpreted in diverse ways from as early as the sixteenth century. In addition, the definition of “Gothic” art and architecture was used, questioned, and challenged in a range of literature from the Renaissance onwards. The diverse essays in Gothic Legacies: Four Centuries of Tradition and Innovation in Art and Architecture demonstrate that the Gothic spirit manifested itself in many visual forms, including furniture, set design, cathedrals, book illustration, and urban architecture. Edited by Laura Cleaver and Ayla Lepine, Gothic Legacies showcases new research by scholars who are united by an interest what “Gothic” could mean in particular contexts, and how it was used across different periods, cultures, and media.The book's twelve essays are divided into thematic sections, which identify recurring themes in discussions of the “Gothic”. The authors explore debates around the understanding and use of spolia and ideas about heritage, the relationships between “Gothic” art and literature, and the invocation of concepts of the “Gothic” in opposition to other categorisations (notably Classicism and Modernism). In doing so they shed light on rich dialogues between the present and the past (real or imagined). Featuring interdisciplinary and international contributions from medieval and modern period scholars with fresh academic perspectives, this volume constitutes a valuable resource for anyone with an interest in how and why the art of the Middle Ages was to play such an important role in forming and revising personal, national, and international identities in subsequent works of art and architecture.
The Gothic Enterprise: A Guide to Understanding the Medieval Cathedral Autores:
he great Gothic cathedrals of Europe are among the most astonishing achievements of Western culture. Evoking feelings of awe and humility, they make us want to understand what inspired the people who had the audacity to build them. This engrossing book surveys an era that has fired the historical imagination for centuries. In it Robert A. Scott explores why medieval people built Gothic cathedrals, how they built them, what conception of the divine lay behind their creation, and how religious and secular leaders used cathedrals for social and political purposes. As a traveler's companion or a rich source of knowledge for the armchair enthusiast, The Gothic Enterprise helps us understand how ordinary people managed such tremendous feats of physical and creative energy at a time when technology was rudimentary, famine and disease were rampant, the climate was often harsh, and communal life was unstable and incessantly violent.While most books about Gothic cathedrals focus on a particular building or on the cathedrals of a specific region, The Gothic Enterprise considers the idea of the cathedral as a humanly created space. Scott discusses why an impoverished people would commit so many social and personal resources to building something so physically stupendous and what this says about their ideas of the sacred, especially the vital role they ascribed to the divine as a protector against the dangers of everyday life.Scott's narrative offers a wealth of fascinating details concerning daily life during medieval times. The author describes the difficulties master-builders faced in scheduling construction that wouldn't be completed during their own lifetimes, how they managed without adequate numeric systems or paper on which to make detailed drawings, and how climate, natural disasters, wars, variations in the hours of daylight throughout the year, and the celebration of holy days affected the pace and timing of work. Scott also explains such things as the role of relics, the quarrying and transporting of stone, and the incessant conflict cathedral-building projects caused within their communities. Finally, by drawing comparisons between Gothic cathedrals and other monumental building projects, such as Stonehenge, Scott expands our understanding of the human impulses that shape our landscape.
Artistic Integration in Gothic Buildings Autores:
In this collaborative work seventeen international scholars use contemporary methodologies to address the ways in which we understand Gothic church buildings.
The Experience of Beauty in the Middle Ages Autores:
This book articulates a new approach to medieval aesthetic values, emphasizing the sensory and emotional basis of all medieval arts, their love of play and fine craftsmanship, of puzzles, and of strong contrasts. Written for a general educated audience as well as students and scholars in the field, it offers an understanding of medieval literature and art that is rooted in the perceptions and feelings of ordinary life, made up of play and laughter as well as serious work. Medieval stylistic values of variety, sweetness, good taste, and ordinary beauty are grounded in classical and medieval biological theories of change and flux in the human body, not only in symbolism and theology. The book will appeal to all lovers of medieval arts, literature, architecture, music, and painting, as well as serious students of religion and the language of beauty.
From Mycenae to Constantinople Autores:
Tomlinson presents studies of selected ancient cities, ranging from the earliest development of urban architecture in Europe to the imperial cities of Rome and Constantinople. It gives an account of their architecture, not merely from the art historical point of view, but as an expression of the social organisation, and political systems employed by the people who lived in them.
The Carolingians in Central Europe, Their History, Arts and Architecture Autores: 
Romanesque Art Autores:
In art history, the term ‘Romanesque art'distinguishes the period between the beginning of the 11th and the end of the 12th century. This era showed a great diversity of regional schools each with their own unique style. In architecture as well as in sculpture, Romanesque art is marked by raw forms. Through its rich iconography and captivating text, this work reclaims the importance of this art which is today often overshadowed by the later Gothic style.
Renaissance Art: A Very Short Introduction Autores:
Botticelli, Holbein, Leonardo, Dürer, Michelangelo: the names are familiar, as are the works, such as the Last Supper fresco, or the monumental marble statue of David. But who were these artists, why did they produce such memorable images, and how would their original beholders have viewed these objects? Was the Renaissance only about great masters and masterpieces, or were'mistresses'also involved, such as women artists and patrons? And what about the'minor'-pieces that Renaissance men and women would have encountered in homes, churches and civic spaces? This exciting and stimulating volume will answer such questions by considering both famous and lesser-known artists, patrons and works of art within the cultural and historical context of Renaissance Europe. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
The Renaissance Autores:
This fantastic classic text is Pater's graceful collection of essays discussing the achievements of Botticelli, Leonardo, Michelangelo, and other artists. The book concludes with an uncompromising advocacy of hedonism, urging readers to experience life as fully as possible. His cry of'art for art's sake'became the manifesto of the Aesthetic Movement, and his assessments of Renaissance art have influenced generations of readers.
El Renacimiento / Autores:
El Renacimiento se inició a finales del siglo catorce en Italia y ya estaba extendido por toda Europa en la segunda mitad del siglo dieciséis. El redescubrimiento del esplendor de la antigua Grecia y Roma supuso el comienzo del renacimiento de las artes como consecuencia de la descomposición de la certeza dogmática de la Edad Media. Surgió una generación de artistas que comenzaron a innovar dentro del ámbito de la pintura, así como de la escultura y arquitectura. Representando lo ideal y lo actual, lo sacro y lo profano, este período supuso un marco de referencia que ejercería su influencia sobre el arte europeo a lo largo de los siguientes cuatro siglos. Leonardo da Vinci, Miguel Ángel, Botticelli, Fra Angélico, Giorgione, Mantegna, Rafael, Durero y Bruegel se encuentran entre los artistas que hicieron contribuciones considerables al arte del Renacimiento.
Baroque Visual Rhetoric Autores:
Intricate, expressive, given to grandeur and even excess, Baroque art as a style is inseparable from the meanings it seeks to convey. Vernon Hyde Minor's Baroque Visual Rhetoric probes this combination of style and message and – equally importantly – the methodological basis on which the critical art historian comes to establish that meaning.Drawing on a breathtaking range of critical literature, from the German founders of art history as an academic discipline to Heidegger, Derrida, and de Man, Minor considers the issue through a series of Baroque masterpieces: Bernini's Baldacchino in St. Peter's Basilica, the statues in the church of San Giovanni in Laterano, Borromini's church of Sant'Ivo alla Sapienza, Baciccio's frescoes in the church of Il Gesù, the paintings of Philippe de Champaigne, and the Corsini Chapel in San Giovanni in Laterano.
Agents of Space : Eighteenth-century Art, Architecture, and Visual Culture Autores:
In the last twenty-five years, the concept of space has emerged as a productive lens through which historians of the long eighteenth century can examine the varied and mutable issues at play in the creation and reception of objects, images, spectacles, and the built environment. This collection of essays investigates the potentialities afforded by space in eighteenth-century art and visual culture. Rather than being defined by a particular school of art or the type of space invoked, it invites global difference and reflects scholarly engagement in the eighteenth-century artistic phenomena of Italy, Mexico, and India, as well as Britain and France in immediate, imperial, and transnational contexts. The contributions here share an emphasis on agency, which in this context means the way in which objects, artists, architects, and patrons (in their many guises) have attempted to negotiate various artistic, political, philosophical, and socio-economic values through creating, reflecting, appropriating, denying, or reimagining space.
The Houses of Roman Italy, 100 B. C. - A. D. 250: : Ritual, Space, and Decoration Autores:
In this richly illustrated book, art historian John R. Clarke helps us see the ancient Roman house'with Roman eyes.'Clarke presents a range of houses, from tenements to villas, and shows us how enduring patterns of Roman wall decoration tellingly bear the cultural, religious, and social imprints of the people who lived with them.In case studies of seventeen excavated houses, Clarke guides us through four centuries of Roman wall painting, mosaic, and stucco decoration, from the period of the'Four Styles'(100 B.C. to A.D. 79) to the mid- third century. The First Style Samnite House shows its debt to public architecture in its clear integration of public and private spaces. The Villa of Oplontis asserts the extravagant social and cultural climate of the Second Style. Gemlike Third-Style rooms from the House of Lucretius Fronto reflect the refinement and elegance of Augustan tastes. The Vettii brothers'social climbing helps explain the overburdened Fourth-Style decoration of their famous house. And evidence of remodelling leads Clarke to conclude that the House of Jupiter and Ganymede became a gay hotel in the second century.In his emphasis on social and spiritual dimensions, Clarke offers a contribution to Roman art and architectural history that is both original and accessible to the general reader. The book's superb photographs not only support the author's findings but help to preserve an ancient legacy that is fast succumbing to modern deterioration resulting from pollution and vandalism.
The Liberation of Painting: Modernism and Anarchism in Avant-Guerre Paris Autores: 
Impresionismo / Autores:
El Impresionismo ha sido siempre uno de los estilos de arte preferidos por el público y las obras impresionistas continúan deleitando a los observadores con su asombroso juego de colores y formas. Este libro ofrece una cuidada selección de las obras más fascinantes de artistas como Degas, Monet, Pissarro, Renoir y Sisley. El volumen de Mega Square Impresionismo rinde tributo a la popularidad de este movimiento y, con un formato práctico y compacto, constituye un regalo perfecto.
Art of Century: Arte Naif Autores:
El arte naif se hizo popular por primera vez a finales del siglo diecinueve. Hasta ese momento, esta forma de expresión creada por artistas sin formación y caracterizados por su espontaneidad y simplicidad contaba con poco reconocimiento entre los artistas profesionales y los críticos de arte. Influenciada por las artes primitivas, la pintura naif se caracteriza por la fluidez de sus líneas, por su vivacidad y sus colores alegres, así como por sus formas más bien sencillas, claramente definidas. El arte naif está representado por artistas como Henri Rousseau, Séraphine de Senlis, André Bauchant y Camille Bombois. Este movimiento también consiguió encontrar partidarios en el extranjero, incluyendo a artistas tan destacados como Joan Miró, Guido Vedovato, Niko Pirosmani e Ivan Generalic.
Dalí Autores:
Pintor, diseñador, creador de objetos extraños, autor y cineasta, Dalí se convirtió en el más famoso de los surrealistas. Buñuel, Lorca, Picasso y Breton tuvieron una gran influencia en su vida artística. La película de Dalí, Un perro andaluz, que produjo Buñuel, marcó su entrada oficial en el cerrado grupo de los surrealistas parisinos, donde conoció a Gala, la mujer que se convertiría en su compañera de toda la vida y en su fuente de inspiración. Sin embargo, su relación con el grupo pronto se deterioró, hasta su ruptura final con André Breton en 1939. El arte de Dalí, empero, siguió siendo surrealista en su filosofía y expresión, así como el principal ejemplo de su frescura, humor y exploración de la mente subconsciente. A través de su vida, Dalí fue un genio de la promoción de sí mismo: creó y mantuvo una reputación como una figura casi mítica.
Ornament and Order: Graffiti, Street Art and the Parergon Autores:
Over the last forty years, graffiti and street-art have become a global phenomenon within the visual arts. Whilst they have increasingly been taken seriously by the art establishment (or perhaps the art market), their academic and popular examination still remains within old debates which argue over whether these acts are vandalism or art, and which examine the role of graffiti in gang culture and in terms of visual pollution. Based on an in-depth ethnographic study working with some of the world's most influential Independent Public Artists, this book takes a completely new approach. Placing these illicit aesthetic practices within a broader historical, political, and aesthetic context, it argues that they are in fact both intrinsically ornamental (working within a classic architectonic framework), as well as innately ordered (within a highly ritualized, performative structure). Rather than disharmonic, destructive forms, rather than ones solely working within the dynamics of the market, these insurgent images are seen to reface rather than deface the city, operating within a modality of contemporary civic ritual. The book is divided into two main sections, Ornament and Order. Ornament focuses upon the physical artifacts themselves, the various meanings these public artists ascribe to their images as well as the tensions and communicative schemata emerging out of their material form. Using two very different understandings of political action, it places these illicit icons within the wider theoretical debate over the public sphere that they materially re-present. Order is focused more closely on the ephemeral trace of these spatial acts, the explicitly performative, practice-based elements of their aesthetic production.
American Graffiti Autores:
The first appearances of graffiti “tags” (signatures) on New York City subway trains in the early 1970s were discarded as incidents of vandalism or the rough, violent cries of the ignorant and impoverished. However, as the graffiti movement progressed and tags became more elaborate and ubiquitous, genuine artists emerged whose unique creativity and unconventional media captured the attention of the world. Featuring gallery and street works by several contributors to the graffiti scene, this book offers insight into the lives of urban artists, describes their relationship with the bourgeois art world, and discusses their artistic motivation with unprecedented sensitivity.
The Arts & Crafts Movement Autores:
“Have nothing in your house that you do not know to be useful, or believe to be beautiful.” This quote alone from William Morris could summarise the ideology of the Arts & Crafts movement, which triggered a veritable reform in the applied arts in England. Founded by John Ruskin, then put into practice by William Morris, the Arts & Crafts movement promoted revolutionary ideas in Victorian England. In the middle of the “soulless” Industrial Era, when objects were standardised, the Arts & Crafts movement proposed a return to the aesthetic at the core of production. The work of artisans and meticulous design thus became the heart of this new ideology, which influenced styles throughout the world, translating the essential ideas of Arts & Crafts into design, architecture and painting.
Nature's Experiments and the Search for Symbolist Form Autores:
This provocative study argues that some of the most inventive artwork of the 1890s was strongly influenced by the methods of experimental science and ultimately foreshadowed twentieth-century modernist practices.Looking at avant-garde figures such as Maurice Denis, Édouard Vuillard, August Strindberg, and Edvard Munch, Allison Morehead considers the conjunction of art making and experimentalism to illuminate how artists echoed the spirit of an increasingly explorative scientific culture in their work and processes. She shows how the concept of “nature's experiments”—the belief that the study of pathologies led to an understanding of scientific truths, above all about the human mind and body—extended from the scientific realm into the world of art, underpinned artists'solutions to the problem of symbolist form, and provided a ready-made methodology for fin-de-siècle truth seekers. By using experimental methods to transform symbolist theories into visual form, these artists broke from naturalist modes and interrogated concepts such as deformation, automatism, the arabesque, and madness to create modern works that were radically and usefully strange.Focusing on the scientific, psychological, and experimental tactics of symbolism, Nature's Experiments demystifies the avant-garde value of experimentation and reveals new and important insights into a foundational period for the development of European modernism.
Cubism and Futurism Autores:
Cubism and futurism were related movements that vied with each other in the economy of renown. Perception, dynamism, and the dynamism of perception—these issues passed back and forth between the two. Cubism and Futurism shows how movement became, in the traditional visual arts, a central factor with the advent of the cinema: gone were the days when an artwork strived merely to lift experience out the realm of change and flow. The cinema at this time was understood as an electric art, akin to X-rays, coloured light, and sonic energy. In this book, celebrated filmmaker and author Bruce Elder connects the dynamism that the cinema made an essential feature of the new artwork to the new science of electromagnetism. Cubism is a movement on the cusp of the transition from the world of standardized Cartesian coordinates and interchangeable machine parts to a Galvanic world of continuities and flows. In contrast, futurism embraced completely the emerging electromagnetic view of reality. Cubism and Futurism shows that the notion of energy made central to the new artwork by the cinema assumed a spiritual dimension, as the cinema itself came to be seen as a pneumatic machine.
A Time to Reason and Compare: International Modernism Revisited One Hundred Years After Autores:
This collection commemorates the centenary of decisive events in the history of international Modernism. The second decade of the twentieth century witnessed an extraordinary burst of creativity and inquiry which left an indelible mark in literature, music, and the visual arts, as well as in their respective theoretical frameworks. As with other moments of crisis, the period was exceptionally rich in innovation and experimentation. For literature and the arts, it was also a time of great clashes, both contextually, most obviously because authors were faced with the events of the Great War, and internally, through radical contestation of the aesthetic and intellectual legacies of the past.The passing of one hundred years provides an opportunity for homage, as well as critical assessment of intentions and accomplishments. The present volume brings together the work of scholars who focus on both early and late Modernism and its long-ranging cultural and literary reverberations, in order to widen the reader's perspective of the significance of the modernist movement for contemporary art, theory and criticism.
Vincent Van Gogh Autores:
The incarnation of the myth of a cursed artist, Vincent van Gogh (1853-1890) is a legend who became a reference for modern art. An Expressionist during the Post-Impressionist movement, his art was misunderstood during his lifetime. In Holland, he partook in the Dutch realist painting movement by studying peasant characters. Anxious and depressed, Vincent van Gogh produced more than 2000 artworks, yet sold only one in his lifetime. A self-made artist, his work is known for its rough and emotional beauty and is amongst the most popular in the art market today.
Constructed Situations: A New History of the Situationist International Autores:
The Situationist International were a group of anti-authoritarian, highly cultured, revolutionary artists whose energy and enragement fundamentally shaped the revolutions of the late 1960's, most famously in Paris in May'68. They took on their shoulders the history of the workers'struggle, saw that it had been corrupted by authoritarianism and transformed it, with influences incorporating the avant-garde via Dada and Surrealism. They were not Marxologists, defenders of the faith. Marxism came back to life in their raging analyses, the use of the'spectacle'and at the heart of the project was the idea of the constructed situation. This book by Frances Stracey offers itself up as the'first historiography of constructed situations'. Within it are new insights into the movement, and with them, a sense of relevance to political situations and practice today. As an archivist, Stracey uncovered new documents which, amongst other things, revealed how the SI related to representations of sexuality; and is able to discuss whether they could be considered as feminists or not. She also looked at their famous motto'Never Work'and again shows how alienated labour is even more relevant to us today. Constructed Situations is not a history of celebrated personalities, or cultural influences, or political circumstances. It is instead an open door to one of the most influential art movements in modern history, and an invitation for us to reclaim inspiration from this ubiquitous movement.
The ABC of Styles Autores:
Ever wondered why your ceiling is shaped like the arches in a gothic cathedral? Or why your offi ce building looks so different from its neighboring counterparts? The ABC of Style invites you to explore the many different architectural and decorative interior styles from their ancient origins to the 1940s. Take a journey through history to see how the French aristocracy styled their palaces and castles to the simple designs of the Dominican monastic churches during the middle ages. Often, political changes implicate a stylistic transformation. Thus, the different European styles were frequently named after a sovereign or a historical period (Renaissance style, Medieval style). Until the end of the nineteenth century, the stylistic mutations of the time were generally based on the tastes of the royalty. Stylistic expression was, therefore, an affirmation of power.
Architectural Styles: A Visual Guide Autores:
Have you ever wondered what the difference is between Gothic and Gothic Revival, or how to distinguish between Baroque and Neoclassical? This guide makes extensive use of photographs to identify and explain the characteristic features of nearly 300 buildings. The result is a clear and easy-to-navigate guide to identifying the key styles of western architecture from the classical age to the present day.
Principios del diseño en color (2da. ed.) / Autores: 
Universal Principles of Design / Autores:
Whether a marketing campaign or a museum exhibit, a video game or a complex control system, the design we see is the culmination of many concepts and practices brought together from a variety of disciplines. Because no one can be an expert on everything, designers have always had to scramble to find the information and know-how required to make a design work—until now.Universal Principles of Design, Revised and Updated is a comprehensive, cross-disciplinary encyclopedia of design. Richly illustrated and easy to navigate, it pairs clear explanations of every design concept with visual examples of the concepts applied in practice. From the'80/20” rule to chunking, from baby-face bias to Occam's razor, and from self-similarity to storytelling, every major design concept is defined and illustrated for readers to expand their knowledge.This landmark reference will become the standard for designers, engineers, architects, and students who seek to broaden and improve their design expertise.
Basics Design Methods / Autores:
Architects often employ design methods to help them find more creative forms. These methods make it possible to break free of the traditional canon of forms and established paradigms. At the same time, there must be enough leeway for a functional, systematic design conception to take shape. This volume focuses in depth on the design methods that have decisively shaped current architectural practice.Themes are - Diagrammatic methods (using drawings and schematic representations), -Mimetic methods (imitative), - Parametric methods (using a characteristic quantity), - Automated and digital design methods of the contemporary avant-garde, e.g. scaling, datascapes, folding, and morphing.
Generative Design Autores:
Generating form is one of the most fundamental aspects of architectural education and practice. While new computational tools are enabling ever more unpredictable forms, critics argue that this leads to a disconnection between architectural output and its context. This attractive, pocket-sized book uses 11 different architectural projects to explore how generative design processes can integrate digital as well as physical design tools and techniques to produce innovative forms that cohere with structural and material principles, performance, and context. Illustrated with drawings, computer images, and models, this stimulating, accessible handbook of ideas provides a guide for students as well as an inspiration for practicing architects.
Architecture Design Notebook Autores:
Architecture Design Notebook focuses on the process of design as pragmatic and non-theoretical. Dealing systematically with the core design curriculum, it clearly demonstrates the skills required for designing at undergraduate level. Providing students with fundamental maxims of design, and a framework within which they can approach their work, this book supports undergraduates as they learn to produce solutions to design challenges. This vital design companion underpins the cornerstone of an architectural undergraduates'studies - studio design projects. With over 100 sketches included, the book inspires student's design ideas. This updated edition includes new sections on green architecture, urban space typology, and the virtual building. A. Peter Fawcett is an architect and critic who combines teaching with sporadic practice; he is currently Professor Emeritus of Architecture at the University of Nottingham and visiting Professor at the University of Lincoln. In recent years his work has been placed in architectural competitions and has been hung at the Royal Academy and Royal Ulster Academy.
Color, Space, and Style: All the Details Interior Designers Need to Know but Can Never Find Autores:
A comprehensive handbook of all the crucial information interior designers need to know on a daily basis.In the world of interior design, thousands of bits of crucial information are scattered across a wide array of sources. Color, Space, and Style collects the information essential to planning and executing interiors projects of all shapes and sizes, and distills it in a format that is as easy to use as it is to carry. Section 1, Fundamentals, provides a step-by-step overview of an interiors project, describing the scope of professional services, the project schedule, and the design and presentation tools used by designers. Section 2, Space, examines ways of composing rooms as spatial environments while speaking to functional and life-safety concerns. Section 3, Surface, identifies options in color, material, texture, and pattern, while addressing maintenance and performance issues.
Design Elements: Form & Space / Autores:
This is the first volume of the Design Elements series each focusing on a core element of the designer's toolbox. Created with the design student in mind, the series offers a comprehensive reference for understanding and effective application of the core building blocks for designers. Volumes will break down the rules and elements related to each specific subject and outline how and when to apply effective usage and when it's OK to break the rules. Both text book and design reference, this is a library which every designer needs. It promises a solid understanding and usage rules for the core elements of design and providing application-oriented inspiration as a crucial teaching tool.
Design Elements, Color Fundamentals / Autores:
Color is an integral part of any design solution. Design Elements, Color Fundamentals is an essential resource for designers who want to create memorable design and successfully communicate with their audience. It is the second book in Rockport's Design Elements series, which focuses on the core elements of design.With this book, designers will:—Learn how to effectively communicate with color and integrate color with type and image to affect meaning and create order—See how known pairings and selection methods can be used in real-world projects—Explore hundreds of visual examples, illustrating how effective color combinations can be applied to any project, across media, and in diverse, cultural, and geographic situations—Realize the basic tenets of color theory as it is broken down into clear and actionable directives—Uncover tips and techniques for using color in client-based design workDiscover the basic rules for working with color as well as when it's OK to break the rules with Design Elements, Color Fundamentals!
Color Design Workbook Autores:
From the meanings behind colors to working with color in presentations, Color Design Workbook provides you with the information needed to effectively apply color to design work. Since color is such an important part of graphic design, designers need the most up-to-date, as well as the most fundamental, information on the subject to have the tools needed to use color effectively. The Color Design Workbook, New, Revised Edition explains the meanings behind colors, working with color in presentations, and loads more. This guide book provides you with the vital information needed to creatively and effectively apply color to your own design work. You will also receive guidance on talking with clients about color and selling color ideas, and you'll also learn the science behind color theory. Case studies are included to show the effects some color choices had on both their clients and consumers. So why wait any longer? Become a color expert now!
Design Elements: Understanding the Rules and Knowing When to Break Them / Autores:
This updated version of Rockport's bestselling Design Elements offers expanded and updated content in a new, cleaner format for easier navigation. Author Timothy Samara has added more than 50 new diagrams and more than 100 new images of real-world projects with an increased emphasis on web and environmental design projects. The 20 Rules for Good Design has been revisited and expanded to 25 Rules. The book covers all the design fundamentals from working with grids, color application, typography, imagery and how to put it all together.Expansion and new material includes:-Composition/layout, visual hierarchy,-Form and composition in relation to concepts and meaning-Color psychology and narrative-Color coding-Reference palettes for time periods, cultures, and businesses-Special color and printing techniques-Combining type styles, editorial text setting issues, plus-Web-related type style and hierarchy issues-Strategies for using photography; design drawing; medium and meaning; pictorial and non-pictorial -image-making options; semiotics, symbolic and metaphorical image use; type as image-Making type and imagery work better together-Finding flexibility in design systems-The design process, from creative concept development and practical work-flow standpoints
Basics Design Ideas Autores:
Design Ideas offers students a variety of different ways to go about finding a design solution. In addition to suggesting fundamental ways to get the creative process moving and develop a design approach, it also proposes various sources of inspiration for design ideas. It focuses on the three elements of place, form, and function, which can sometimes constitute immediate springboards for concrete designs. These elements must eventually be incorporated as the design process.Subjects: Creativity in the design process; Sources of inspiration and design approaches; Working with place; Working with form; Working with function.
Linkography: Unfolding the Design Process Autores:
The description of a method for the notation and analysis of the creative process in design, drawing on insights from design practice and cognitive psychology.This book presents linkography, a method for the notation and analysis of the design process. Developed by Gabriela Goldschmidt in an attempt to clarify designing, linkography documents how designers think, generate ideas, put them to the test, and combine them into something meaningful. With linkography, Goldschmidt shows that there is a logic to the creative process—that it is not, as is often supposed, pure magic. Linkography draws on design practice, protocol analysis, and insights from cognitive psychology.Goldschmidt argues that the generation of ideas (and their inspection and adjustment) evolves over a large number of small steps, which she terms design moves. These combine in a network of moves, and the patterns of links in the networks manifest a “good fit,” or congruence, among the ideas. Goldschmidt explains what parts of the design process can be observed and measured in a linkograph, describing its features and notation conventions. The most significant elements in a linkograph are critical moves, which are particularly rich in links. Goldschmidt presents studies that show the importance of critical moves in design thinking; describes cases that demonstrate linkography's effectiveness in studying the creative process in design (focusing on the good fit); and offers thirteen linkographic studies conducted by other researchers that show the potential of linkography in design thinking research and beyond. Linkography is the first book-length treatment of an approach to design thinking that has already proved influential in the field.
Inspiring Writing in Art and Design Autores:
Art and design students today face a wide range of writing tasks – from reflective and self-promotional pieces to reviews, essays and dissertations. This book is an answer to art and design students and staff, disheartened by negative past experiences, who say that they loathe writing, and encourages different approaches to writing – integrating it into studio practice, and promoting the notion of ‘warm up'preparations.This very practical volume, written for tutors and students, nurtures writing's creative role in the process of art and design. It uses short exercises and creative writing techniques combined with the energy and liveliness of the workshop situation to help with academic issues in writing assignments.
The Architecture Reference & Specification Book: Everything Architects Need to Know Every Day Autores:
Most architectural standards references contain thousands of pages of details, overwhelmingly more than architects need to know to know on any given day. The updated and revised edition of Architecture Reference & Specification contains vital information that's essential to planning and executing architectural projects of all shapes and sizes, all in a format that is small enough to carry anywhere. It distills the data provided in standard architectural volumes and is an easy-to-use reference for the most indispensable--and most requested--types of architectural information.
Architectural Modelmaking Autores:
The physical model is an important communication tool for architects. Although the proliferation of CAD programs has enabled the creation of increasingly complex computer models and virtual environments, there is also a growing need to address the three-dimensional qualities of architecture that may be lost when using such media. This book focuses on the inspiring possibilities for modeling the built environment with all the different media and techniques available. In describing the use of different models in different contexts, the book provides a practical guide to how and why models are used and what they are used for. This second edition includes more detailed step-by-step exercises, expanded discussion of materials and techniques, updated coverage of digital techniques, and new case studies.
Basics Modelbuilding Autores:
Models make it possible to visualize an idea in three dimensions. Designing with models and presenting ideas is an important step in the development of a consciousness of design. Themes: Levels of abstraction and degrees of detail Model typologies Typical working tools and techniques Materiality of models Presentation possibilities
Architectural Model As Machine Autores:
This book offers an explanation of why scale models are important to the design process. Albert Smith takes the reader through the history and significance of models in architecture from the magic of the Egyptian scale model to the present day.Through this description of the relationship between architecture and the scale model, Smith demonstrates the most effective process between concept and'machine', between the idea and the final building. The great value of this book is to reveal the nature of the scale model and to unlock the tremendous potential of this design tool as a thinking and communicative advice.His chronological analysis goes on from Egypt through Rome to the relationship between the Greek paradigm scale model and then on to Medieval and Renaissance models. It concludes with the models of the Spanish architect Antonio Gaudi, the Russian Constructivists, the American architect Louis Khan and finally looks at the role of scale models in the present day through the work of the Polish/American architect Daniel Libeskind and the American Frank Gehry.
Experimental Pattern Sourcebook Autores:
Author Jackie Herald's selection is designed to inspire, provoke, amuse, and suggest new associations of ideas, materials, and imagery for further experimentation.The book features 40 contributors from 21 countries
Basics Project Planning / Autores:
The main task of the classical architect is project planning, from basic evaluation to design all the way to execution planning, the call for bids, construction management, and completion of the building. This volume explains the individual planning steps in context, presents the networking of the various specialists involved in the project, and offers a clear and practical description of the various levels of organization.
Estudios sobre energía y medio ambiente en la arquitectura Autores: 
The Sustainable Design Book Autores:
The Sustainable Design Book updates the reader on the latest products and developments in the field of green design, and features 265 of the most exciting new products around. Q&As with leading designers give insight into trends and key techniques used within the industry, while handy icons highlight each product's sustainability credentials at a glance. Beginning with a chapter on sustainable materials, the book goes on to cover furniture, lighting, home accessories, and personal accessories. Web addresses of designers and retailers make each product easy to source. The Sustainable Design Book is an unbeatable resource for those aspiring to best practice within the field of sustainable design, as well as students of contemporary product design. Consumers looking for beautiful but environmentally conscious products and accessories will also find this an essential guide.
Sustainability in Interior Design / Autores:
The environmental impact of interior architecture and design practice is immense, and this book highlights the need for designers to adapt the way they work and relearn the lessons lost in order to make their designs fully sustainable. Contrary to many preconceptions, sustainable design can be sophisticated and stylish. By its nature, a sustainable approach means considering the whole life cycle of a project, thereby improving the functionality, quality, and human enjoyment and, in the long term, bringing real social and economic benefits. This book is filled with examples and techniques, together with historical and contemporary case studies, all supported by invaluable resources and links. A comprehensive reference book for anyone wanting to work in interior design, this book introduces ideas of sustainability while encouraging and inspiring readers with positive, creative, and practical alternatives.
Material Revolution II: New Sustainable and Multi-Purpose Materials for Design and Architecture / Autores:
Following the huge success of Material Revolution, this second volume addresses the rapid development of material research and presents materials new to the market since 2010.The significance of sustainable and intelligent materials in design and architecture has increased enormously over the last two years. Numerous new products have been introduced to the market and designers'thirst for knowledge about the sustainability of new material is as strong as ever, making a sequel to Material Revolution necessary. The new volume contains a similar system of classification but covers a completely different range of materials. There is a chapter dedicated solely to the criteria and factors of sustainable product design, as well as to innovative projects by designers and architects that work with new materials and technologies.
The Handbook of Design for Sustainability Autores:
Sustainability has emerged as a central issue for contemporary societies and for the world community as a whole. Furthermore, many of the social and environmental concerns that are embodied in the term'sustainability'are directly or indirectly related to design. Designers help to define our human made environment - how it is produced, how it is used, and how long it endures. Despite some forty years of development and increased awareness of the critical relationships that exist between design decisions and modes of production, energy use, environmental impacts, the nature of work and human exploitation, design for sustainability is still not widely understood or followed. The Handbook of Design for Sustainability presents a comprehensive, state-of-the-art overview of this crucial subject - its development, its methods, its practices and its potential futures.Bringing together leading international scholars and new researchers to provide a substantive insight into the latest thinking and research within the field, The Handbook covers a breadth of historical and theoretical understandings and includes a series of original essays that explore methods and approaches for designers and design educators.The Handbook presents the first systematic overview of the subject that, in addition to methods and examples, includes historical perspectives, philosophical approaches, business analyses, educational insights and emerging thinking. It is an invaluable resource for design researchers and students as well as design practitioners and private and public sector organizations wishing to develop more sustainable directions.
The Shape of Green: Aesthetics, Ecology, and Design Autores:
Does going green change the face of design or only its content? The first book to outline principles for the aesthetics of sustainable design, The Shape of Green argues that beauty is inherent to sustainability, for how things look and feel is as important as how they're made. In addition to examining what makes something attractive or emotionally pleasing, Hosey connects these questions with practical design challenges. Can the shape of a car make it more aerodynamic and more attractive at the same time? Could buildings be constructed of porous materials that simultaneously clean the air and soothe the skin? Can cities become verdant, productive landscapes instead of wastelands of concrete? Drawing from a wealth of scientific research, Hosey demonstrates that form and image can enhance conservation, comfort, and community at every scale of design, from products to buildings to cities. Fully embracing the principles of ecology could revolutionize every aspect of design, in substance and in style. Aesthetic attraction isn't a superficial concern — it's an environmental imperative. Beauty could save the planet.
Linking Architecture and Education: Sustainable Design for Learning Environments Autores:
For the past forty years Anne Taylor has studied how schools, classrooms, playgrounds, homes, museums, and parks affect children and how they learn. As a result, she has developed a holistic, sustainable philosophy of learning environment design. She argues persuasively that architects must integrate their design knowledge with an understanding of the developmental needs of learners, while at the same time educators, parents, and students must broaden their awareness of the built, natural, and cultural environment to maximize the learning experience. In other words, schools and other environments can themselves become'three-dimensional textbooks.'When architects are cognizant of newer models of education and educators view the environment as more than a box in which to teach prescribed lessons, the result is an informed architecture that enables children to discover the power of their own learning. The book presents numerous examples of dynamic designs that are the result of interdisciplinary understanding of place.
Contemporary Design in Detail: Sustainable Environments Autores:
A visual look at the architectural details of sustainable residential spacesThe Contemporary Design Details series takes a highly visual look at architectural design details that are more often dealt with in a technical textbook format. The books take readers on a tour of the best details designed by great architects around the world. The series provides a powerful presentation of the most challenging and evolving architectural and design categories.Sustainable Environments focuses on the type of architectural details in distinctive, sustainable residential spaces. It includes sections on components such as cooling or shading devices, building techniques that create minimal impact on the land, active systems, and the use of new sustainable materials as well as those that are salvaged or recyclable. The book presents recent work by architects from around the globe in color photographs and architectural drawings, and is structured according to categories of architectural detail.
Essential Sustainable Home Design: A Complete Guide to Goals, Options, and the Design Process Autores:
Design your own sustainable home Many people dream of building a beautiful, environmentally friendly home. But until now there has been no systematic guide to help potential builders work through the complete process of imagining, planning, designing, and building their ideal, sustainable home. Essential Sustainable Home Design walks potential homebuilders through the process starting with key concepts, principles, and a project vision that will guide the house to completion.
Building with Bamboo: Design and Technology of a Sustainable Architecture Autores:
Although traditionally a building material of the warmer climate zones, bamboo is becoming increasingly popular amongst architects in the northern hemisphere; bamboo has several advantages – it is very stable, of low weight, and highly elastic, in addition to being readily available as well as renewable. The applications of bamboo in architecture have become significantly wider and diversified, so that today, even structures with large spans – such as bridges – are built with this material. The new and revised second edition of this manual provides a practical, systematic overview of the numerous potential applications and processing methods of this renewable material. The comprehensive presentation of groundbreaking bamboo buildings has been updated with more recent projects.
The Handbook of Sustainable Refurbishment: Non-Domestic Buildings Autores:
The refurbishment of existing buildings is a crucial yet often neglected subject within sustainable architecture; attention is usually focused on new buildings. Many old buildings waste large amounts of energy and provide poor internal conditions for occupants through poor lighting, poor ventilation, solar penetration and glare, and poor control of heating and cooling. Demolition is an option but the refurbishment alternative is increasingly seen as more sustainable in terms of architectural value, materials use, neighbourhood disruption and waste disposal. In addition, the potential impact of low energy refurbishment is much greater than that for new build since there are many more buildings already in existence than will be built in the next 10 - 20 years, the period over which many CO2 emission targets apply. The Handbook of Sustainable Refurbishment: Non-Domestic Buildings offers architects, engineers and a wide range of building professionals practical advice, illustrated by real examples. It moves from principles of sustainable refurbishment to specific design and engineering guidance for a variety of circumstances. It emphasises the need for an integrated approach by showing how refurbishment measures interact with one another and with the occupants, and how performance is ultimately influenced by this interaction.
Design Like You Give a Damn Autores:
Design Like You Give a Damn [2] is the indispensable handbook for anyone committed to building a more sustainable future. Following the success of their first book, Architecture for Humanity brings readers the next edition, with more than 100 projects from around the world. Packed with practical and ingenious design solutions, this book addresses the need for basic shelter, housing, education, health care, clean water, and renewable energy. One-on-one interviews and provocative case studies demonstrate how innovative design is reimagining community and uplifting lives. From building-material innovations such as smog-eating concrete to innovative public policy that is repainting Brazil's urban slums, Design Like You Give a Damn [2] serves as a how-to guide for anyone seeking to build change from the ground up.
The Green Building Revolution Autores:
The “green building revolution''is happening right now. This book is its chronicle and its manifesto. Written by industry insider Jerry Yudelson, The Green Building Revolution introduces readers to the basics of green building and to the projects and people that are advancing this movement. With interviews and case studies, it does more than simply report on the revolution; it shows readers why and how to start thinking about designing, building, and operating high performance, environmentally aware (LEED-certified) buildings on conventional budgets. Evolving quietly for more than a decade, the green building movement has found its voice. Its principles of human-centered, environmentally sensitive development have reached a critical mass of architects, engineers, builders, developers, professionals in government, and consumers. Green buildings are showing us how we can have healthier indoor environments that use far less energy and water than conventional buildings do.
ASHRAE GreenGuide (5th ed.): Design, construction, and operation of sustainable buildings /
Landscape urbanism and green infrastructure Autores: 
Advanced energy design guide for grocery stores Autores: 
Drawing for Interior Design Autores:
This book covers all stages of visual presentation as part of the interior design process, from the most basic initial sketches to fully developed computer-generated visualizations. Following a brief introduction, four chapters take the reader through the design process, from the basics to conception, presentation, and production. This second edition includes more practical advice on techniques, more case studies, step-by-step sequences, and updated examples. With a varied and comprehensive range of images, this book is an invaluable, inspirational, and practical resource for interior design students.
Sketching for Architecture and Interior Design Autores:
The debate surrounding hand drawing versus computer-generated imagery has become a hot topic. Having grown up with computers, today's interior design and architecture students are extremely adept at creating computer imagery, but often lack confidence in their freehand sketching skills, or do not know how to sketch at all. Sketching, and the careful observation that it entails, is essential for the successful development of the next generation of designers. Forty-five step-by-step exercises take the student from the simple three-dimensional forms of furniture, to interiors, to complex building exteriors, and cityscapes. Technical topics covered include tools, line weights, perspective, proportion, composition, shading, serial views, and context. Exercises are illustrated with beautiful sketches specially created by the author. Sketching for Architecture + Interior Design is an indispensable and practical guide for students wishing to master the art of looking and sketching.
Architectural Drawing Autores:
This book focuses on the exciting possibilities for representing the built environment with techniques ranging from pencil sketching to computers. It teaches students the following skills: how to draw using a range of media, the basic rules of making effective spatial images, and how to express ideas through appropriate media and forms of communication. Following a revised and expanded introduction, the book is divided into three sections: Media, Types, and Places. Each section is illustrated with exemplary drawings and accompanying commentaries. Step-by-step sequences and practical tips will further help students to make the most of their newly acquired skills. The second edition includes more on a variety of techniques, particularly digital, and new artworks from practicing architects, making it an indispensable practical and inspirational resource.
Basics Technical Drawing Autores:
Technical Drawing deals with the representation of plans throughout all phases of a project. For students, the primary focus is on the development and methodical construction of a technical drawing. Themes: Types of plan (from site plan and preliminary drawings to design and detail plans) Components of the plan (floor plan, section, elevation, detail) Line width, dimensioning, hatching, use of text, symbols Plan presentation and compilation
Perspective Sketching Autores:
Go beyond the horizon with Perspective Sketching. This book offers a command of the basic principals of perspective that is essential to creating dynamic, plausible compositions. With a user-friendly approach, this step-by-step guide will help you master the basics like scale drawing, contour line drawing, linear perspective, tone and texture, and more. Freehand skills like intuitive perspective and concept sketching help you to deepen your technique. Artist and designer Jorge Paricio also includes lessons on working with 3-D modeling in SketchUp and painting in Photoshop and provides a full chapter in blending traditional hand skills with digital media. This effective technique that draws on a broad sense of artistic qualities, coupled with mastering perspective, creates a sketching book unlike any other.
Working Drawings Handbook Autores:
Covering every aspect of drawing preparation, both manual and computer-aided, this comprehensive manual is an essential tool for students, architects and architectural technologists. Showing what information is required on each type of document, how drawings relate to specifications, and how to organize and document your work, this handbook presents a fully illustrated guide to all the key methods and techniques. Thoroughly revised and redesigned, this fourth edition has brand new computer-generated drawings throughout and is updated to cover all aspects of computer use in the modern building design process.
Perceptual Drawing: A Handbook for the Practitioner Autores:
Perceptual Drawing” presents a practicum of 10 plus drawings which lead the reader in a detailed explanation of various perceptual concepts considering line and tone. This practicum is an attempt to adjust our outlook toward perceptual drawing, and to reveal to an understanding reader, appreciator or amateur, and to remind the practicing artist, of those considered concepts, many traditionally based, but some not, that maintain their usefulness in the process of drawing and seeing, even today.
The Complete Introduction to Drawing Autores:
The perfect start-up book for those who wish to learn how to draw. Barrington Barber, one of the world's best-selling artists, covers the basic skills needed for drawing. Barrington has an inimitable style that is truly accessible to all. This title covers all essential introductory techniques to shading, line, perspective, composition and more.
Drawing in Black & White Autores:
Hone your drawing skills and you eye for design by learning to draw in black and white.Working with only positive and negative lines and shapes keeps the focus on the basics: composition, balance, and harmony. And using white and black gel, ink, and paint pens on black, tan, and gray papers allows you to experience drawing in a whole new way! Drawing in Black & White is a clever drawing and design book that contains 36 inspiring exercises, a gallery of artwork, and 16 black, gray, and tan sheets for drawing, doodling, and experimenting. You'll find lessons on drawing, pattern drawing, drawing with cut paper, and simple collage. Learn to see your drawings a new way by drawing in black and white!
The Fundamentals of Drawing Techniques Autores:
In this companion volume to his highly successful Fundamentals of Drawing, Barrington Barber takes the aspiring artist one step further in the quest for skill and competence. If you have come this far on the journey with him you will know that the more you practice the more visual surprised you are presented with and the more problems there are to overcome. In this book, you will be shown how to find solutions to these challenges through the application of more advanced techniques and the greater awareness that comes with closer study of a subject. You will also be encouraged to develop further your perception of the visual world to enable you to express emotions and ideas in your own work and to retain information for future use. Once you have absorbed the many techniques and approaches presented here, you will find your understanding and appreciation of the world around you opening up to reveal new possibilities.
Drawing Perspective Methods for Artists Autores:
Learn how to create the illusion of three-dimensional space in your drawingsIt is as mundane as it is astounding: placed in the right way, a couple of lines on paper create three-dimensional space. To be more exact, the illusion of space. The interest in three-dimensional drawing may initially arise from the intention to depict visible reality. However, the creation of depth is a fascinating challenge in every artistic composition. In this volume, Peter Boerboom and Tim Proetel have arranged, commented on, and with a guiding hand intuitively and tangibly presented the fundamental methods of three-dimensional illustration. For laymen and professionals alike, this book offers a refreshing, simple approach to the graphic depiction of three-dimensionality.
Introducción a la geometría Autores:
Este texto está dirigido a estudiantes de arquitectura y diseño industrial o alumnos de secundaria que deseen complementar sus conocimientos sobre geometría elemental. Su propósito es aplicar la geometría a las dimensiones de objetos de la vida cotidiana, mediante la revisión de conceptos como semejanza, perímetro, área y volumen y funciones. Además, contiene una unidad para iniciar al alumno en el estudio de la suma de vectores con el método del triángulo, y con el principio de equilibrio de una partícula.
Floor Plan Manual Housing Autores:
The Floor Plan Manual Housing has for decades been a seminal work in the field of architecture. In its 5th, revised and expanded edition, approximately 160 international housing projects built after 1945 are documented and analyzed. The focus is on exemplary and transferrable projects, and on innovative and trendsetting concepts. The systematic representation of all projects allows the reader to compare and evaluate various floor plans – and to be inspired by the wealth of ideas and strategies for one's own design work. The introductory theoretical and historical essays have been newly written or updated, and offer a structured overview of the residential housing typology and its development.
Studio Craft & Techniques for Architects Autores:
Studio Craft & Technique for Architects is a one-stop handbook for architecture students. It provides step-by-step techniques for perfecting the vital skills of drawing, model making and surveying. It is a primer on the conventions of architectural representation and the use of materials. It also explains the primary elements of construction and structure from first principles, using clear diagrams and drawings. Students will be able to make daily use of this little book in their design and building technology studios. Recommended in the first year at numerous architecture schools, this new edition has been extensively revised and updated.
Figure Drawing Methods for Artists Autores:
Simple methods teach how to draw figures.When we try to draw a person, we are quickly confronted with various challenges. The proportions need to be correct, the attitude must be clear and vivid, the face should show resemblance and also be expressive. Such a task takes courage. Yet a little practice and training quickly lead to the ability to draw figures in a wide variety of styles. A figure in a particular posture can be assembled with a few key characteristic strokes. At the center of this collection is not the perfect figure, but the joy of drawing, and how, with simple methods, drawing people is possible: by reducing and reducing to a few lines, using clear contours and simple surfaces, the human figure emerges, constructed and elaborated.
Portfolio: Beginning Drawing Autores:
Discover and master the fundamentals of drawing with professional tips and expert instruction.Designed especially for aspiring artists, Beginning Drawing, the third title in Walter Foster's new Portfolio series, offers a well-rounded introduction to the art of basic drawing. In this concept-and technique-driven approach, beginning artists will discover the fundamentals of the craft and how to put those skills into practice for creating realistic works of art. From selecting and working with the tools of the trade to learning a range of basic techniques, Beginning Drawing provides a thorough, easily digestible overview of key drawing concepts, including lighting, shading, shadows, perspective, texture, and composition, and then demonstrates how these techniques intersect, both functionally and creatively, in a wider context within a complete piece of art. Step-by-step lessons encourage practice, focusing readers on the methods and techniques designed to enhance their overall skill level, before graduating on to more subject-specific works. Packed with professional tips and expert instruction, Beginning Drawing is the perfect book for anyone desiring to learn, and ultimately master, the art of drawing.
Pencil Art Workshop Autores:
In Pencil Art Workshop, well-known artist and illustrator Matt Rota demonstrates several techniques in graphite, then ties it together with an international gallery of artists for inspiration. The humble pencil is the world's most flexible and forgiving drawing material. Pencil Art Workshop is the platform for artist and educator Matt Rota (author of The Art of Ballpoint) to show you key techniques that every artist should know. Following along with Matt is easy as he explores the pencil's phenomenal, and sometimes surprising, range. Turn to any chapter--Drawing with Line, Drawing with Tone, Drawing Quickly, Photorealism, Adding Color--and you'll discover, through step-by-step instructions and illustrations, how to choose the right pencil for your specific project, and how to use it to its fullest in every drawing style. Each chapter in Pencil Art Workshop also includes a gallery of edgy and inspiring works by contemporary pencil artists to enjoy and to receive inspiration from.
The Urban Sketching Handbook: Understanding Perspective Autores:
A good sketch starts with good bones. Often challenging and overwhelming to sketchers, the fourth book in the Urban Sketching Handbook series uses drawings and simple steps to explain the concepts of perspective in practical and useful ways for on-site sketching. Most books are either too abstract or don't provide enough information that relates to what you actually do when you're out in the busy, wide world about to start a drawing. Where do you start? How do you edit what you see to flatten and shrink it onto your paper? How does perspective work? The Urban Sketching Handbook: Understanding Perspective helps you learn to think like an architect, to draw buildings and spaces by reducing what you see to simple, basic shapes, then adding layers in simple steps, and finally finishing your sketch with detail, tone, and color--in accurate perspective.
¿Como vemos?: una introducción a la visión de la forma y el color / Autores:
Ver es un acto inmediato y sin esfuerzo alguno, al menos para la consciencia; y este es uno de los motivos por los cuales sabemos tan poco sobre cómo vemos, es decir, acerca de cómo funciona ese don tan perfeccionado. La percepción visual trabaja de una forma tan rápida y eficiente que, normalmente, no nos damos cuenta. Razón por la cual, muy pocas veces- Mientras funciona correctamente- la visión se nos aparece como un problema. Sin embargo, los misterios sin resolver de la inteligencia visual, y aún los resueltos, constituyen un desafío digno de mentes agudas. Este libro aborda el estudio de la visión humana y su inteligencia desde una perspectiva interdisciplinaria que opera en la zona de intersección de la semiótica, la filosofía, la psicología, la fisiología, la inteligencia artificial y las neurociencias en general. ¿Cómo vemos? Hace una descripción y una evaluación asistemática -y en estilo informal- de los enfoques actuales de la visión humana que incluye tanto la referencia al soporte biológico, al cómputo funcional, a las representaciones psicológicas, así como las imagenes semióticas. Al respecto, los autores ofrecen una clara y concisa introducción que nos exige conocimientos previos, por lo tanto, este volumen ha de resultar de gran utilidad para quienes desean iniciarse en el conocimiento de esta facultad humana, de manera escolarizada, o libre, en las áreas de diseño, las artes y la cultura visual en general.
Aesthetics and Painting Autores:
Aesthetics and Painting introduces and opens up current debates and ideas in the aesthetics of painting. At the book's center is an investigation of the complex relationship between what a painting depicts and the means by which it is depicted. The book looks at: how and why painting may be distinguished from other art forms; the relationship between the painted surface and the depicted subject; the'rules of representation'specific to painting; abstract art and nonrepresentational painting; the most recent technological and aesthetic developments and their implications; the role of the artist-and that of the spectator. A sophisticated treatment of major ideas in art and philosophy, Aesthetics and Painting remains highly readable throughout, offering a clear and coherent account of the nature of painting as an art form.
Design for Information: : An introduction to the histories, theories, and best practices behind effective information visualizations Autores:
The visualization process doesn't happen in a vacuum; it is grounded in principles and methodologies of design, cognition, perception, and human-computer-interaction that are combined to one's personal knowledge and creative experiences. Design for Information critically examines other design solutions —current and historic— helping you gain a larger understanding of how to solve specific problems. This book is designed to help you foster the development of a repertoire of existing methods and concepts to help you overcome design problems. Learn the ins and outs of data visualization with this informative book that provides you with a series of current visualization case studies. The visualizations discussed are analyzed for their design principles and methods, giving you valuable critical and analytical tools to further develop your design process. The case study format of this book is perfect for discussing the histories, theories and best practices in the field through real-world, effective visualizations. The selection represents a fraction of effective visualizations that we encounter in this burgeoning field, allowing you the opportunity to extend your study to other solutions in your specific field(s) of practice. This book is also helpful to students in other disciplines who are involved with visualizing information, such as those in the digital humanities and most of the sciences.
The Objective Eye: Color, form, and reality in the theory of art Autores:
The longer you work, the more the mystery deepens of what appearance is, or how what is called appearance can be made in another medium.'—Francis Bacon, painter This, in a nutshell, is the central problem in the theory of art. It has fascinated philosophers from Plato to Wittgenstein. And it fascinates artists and art historians, who have always drawn extensively on philosophical ideas about language and representation, and on ideas about vision and the visible world that have deep philosophical roots. John Hyman's The Objective Eye is a radical treatment of this problem, deeply informed by the history of philosophy and science, but entirely fresh. The questions tackled here are fundamental ones: Is our experience of color an illusion? How does the metaphysical status of colors differ from that of shapes? What is the difference between a picture and a written text? Why are some pictures said to be more realistic than others? Is it because they are especially truthful or, on the contrary, because they deceive the eye? The Objective Eye explores the fundamental concepts we use constantly in our most innocent thoughts and conversations about art, as well as in the most sophisticated art theory. The book progresses from pure philosophy to applied philosophy and ranges from the metaphysics of color to Renaissance perspective, from anatomy in ancient Greece to impressionism in nineteenth-century France.
Playing with Color: 50 Graphic Experiments for Exploring Color Design Principles Autores:
Playing with Color is a highly accessible, fun approach to learning color application and principles. This hands-on book begins with an introduction to the philosophy of learning through the process of play. It then leads to a series of experimental design projects with an emphasis on color, providing the reader with a “toolkit” of ideas and skills. The awareness and sensitivity to form, color, material and craft gained through these visual experiments will increase the designer's confidence in their personal and professional design work. This book can be used in the classroom or independently, and readers can go directly to exercises that appeal to them.
Layout Essentials: 100 Design Principles for Using Grids / Autores:
A classic and essential text for designers since 2009, Layout Essentials: 100 Design Principles for Using Grids just got better with a fresh exploration of its design principles, updated text, and new photos and international graphics. Grids are the basis for all design projects, and learning how to work with them is fundamental for all graphic designers. From working with multi-column formats to using type, color, images, and more, Layout Essentials not only demonstrates, using real world examples, how to use grids effectively, but shows you how to break the rules to use them effectively, too. This revised and updated version of Layout Essentials is your one-stop reference and resource for all layout design projects.
Basics Freehand Drawing / Autores:
The importance of freehand drawing for educating architects is often underestimated. However, this craft is essential for any designer. The act of drawing shows you how to see and observe. It helps develop spatial imagination. A design idea can be quickly and easily clarified and displayed in only a few strokes. The sketch in perspective is vital in design presentations whether at the design academy or in meetings with contractors - every architect needs to master this craft.Basics Freehand Drawing explains step-by-step how to develop a perspective drawing from the initial structure of the image to various drawing techniques and use of color. It also shows in numerous color illustrations different drawing techniques and examples of presenting perspective drawings of buildings, interiors, and details.
Sketchup 2014 for Architectural Visualization Autores:
Beginning with a quick start tutorial which will get you up and running with SketchUp 2014 quickly, you will move on to learning the key skills you will need to wow your clients with stunning visualizations through a series practical steps, tips and tricks. If you are a SketchUp user, from an amateur right through to an architectural technician, professional architect, or designer, this is the book for you. This book is also suitable as a companion to any architectural design or multimedia course, and is accessible to anyone who has learned the basics of SketchUp.
Handbook of Computer Aided Geometric Design Autores:
This book provides a comprehensive coverage of the fields Geometric Modeling, Computer-Aided Design, and Scientific Visualization, or Computer-Aided Geometric Design. Leading international experts have contributed, thus creating a one-of-a-kind collection of authoritative articles. There are chapters outlining basic theory in tutorial style, as well as application-oriented articles. Aspects which are covered include:Historical outline Curve and surface methods Scientific Visualization Implicit methods Reverse engineering.This book is meant to be a reference text for researchers in the field as well as an introduction to graduate students wishing to get some exposureto this subject.
Autodesk AutoCAD 2013 Practical 3D Drafting and Design Autores:
This book is written in a practical and friendly style with practical tutorials, exercises, and detailed images which will help you master the third dimension. This book is intended for everyone who wants to create accurate 3D models in AutoCAD, like architecture, engineering, or design professionals, and students. Only basic understanding of 2D AutoCAD is needed.
CAD fundamentals for architecture Autores: 
AutoCAD 2018 und LT 2018 für Architekten und Ingenieure Autores: 
Basics Spatial Design / Autores:
Architecture does not consist of two-dimensional drawings – it is built space. The volume Basics Spatial Design focuses on what underlies the perception and design of space and helps to create a deep understanding of the conscious design of three-dimensional relationships. It presents possibilities for spatial design clearly and in a manner that is easily adaptable for one's own work. Topics: What is space? How do I perceive space? Design parameters – elements of space Repertoire – using the tools
Spatial Strategies for Interior Design / Autores:
This inspirational and practical guide to organizing and planning interior spaces is packed with photographs, diagrams, models, case studies, and step-by-step instructions. It provides useful information on finding ways to start the design process, analyzing existing buildings, using planning diagrams, developing three-dimensional spatial compositions, designing in section, how to communicate your design ideas, and much more.
The Drama of Space: Spatial Sequences and Compositions in Architecture Autores:
The experience of architectural spaces is formed by the way they are staged. The Drama of Space examines the composition and articulation of architectural spaces in terms of spatial dramaturgy, as a repertoire of means and strategies for shaping spatial experience. This fundamental approach to architectural design is presented in four parts: Archetypal principles of spatial composition are traced from the study of three assembly buildings of the early modern period in Venice. Theatre, film, music, and theory provide background knowledge on dramaturgy. Detailed analyses of 18 international case studies offer new perspectives on contemporary architecture. The book ends with a systematic presentation of the dramaturgy of space, its parameters and tools, in architectural design.
Threshold Spaces: Transitions in Architecture. Analysis and Design Tools Autores:
What is a threshold space? A prelude, an intermediate space, a barrier? Inside or outside? The threshold space is all of these, usually even at the same time. He lives on the spatial ambivalence between opening and closing and at the same time creates the expectation of what is to come. Till Boettger has dealt in teaching and research projects closely with the architectural staging of arrival and reception. His book is a collection of exemplary phenomenological analyzes of spatial transitions in historical and modern cultural buildings by renowned architects. It also develops a methodology to optimize threshold rooms in all construction projects. In addition to a balance that can generate an exciting space, there is also primarily the temporal sequence of experiencing determining. Threshold spaces are shown here in their role as a spatial agent: they receive and bid farewell.
Public and Private Spaces of the City Autores:
The relationship between public and private spheres is one of the key concerns of the modern society. This book investigates this relationship, especially as manifested in the urban space with its social and psychological significance. Through theoretical and historical examination, it explores how and why the space of human socities is subdivided into public and private sections. It starts with the private, interior space of the mind and moves step by step, through the body, home, neighborhood and the city, outwards to the most public, impersonal spaces, exploring the nature of each realm and their complex, interdependent realtionships.A stimulating and thought provoking book for any architect, architectural historian, urban planner or designer.
Modernism and the Architecture of Private Life Autores:
Modernism and the Architecture of Private Life offers a bold new assessment of the role of the domestic sphere in modernist literature, architecture, and design. Elegantly synthesizing modernist literature with architectural plans, room designs, and decorative art, Victoria Rosner's work explores the collaborations among modern British writers, interior designers, and architects in redefining the form, function, and meaning of middle-class private life.
The Domestic Space Reader Autores:
The Domestic Space Reader addresses our collective fascination with houses and homes by providing the first comprehensive survey of the concept across time, cultures, and disciplines.This pioneering anthology, which is ideal for students and general readers, features writing by key scholars, thinkers, and writers including Gaston Bachelard, Mary Douglas, Le Corbusier, Homi Bhabha, Henri Lefebvre, Mrs. Beeton, Ma Thanegi, Diana Fuss, Beatriz Colomina, and Edith Wharton. Among the many engaging topics explored are: the impact of domestic technologies on family life; the relationship between religion and the home; nomadic peoples and housing; domestic spaces in art and literature; and the history of the bedroom, the kitchen, and the bathroom. The Domestic Space Reader demonstrates how discussions of domestic spaces can help us better understand our inner lives and challenge our perceptions of life in particular times and places.
Our House: The Representation of Domestic Space in Modern Culture Autores: 
Residential Buildings: A Typology Autores:
The systematic development of building types is an important task in housing construction. A deeper understanding of the underlying building types is mandatory, both for individual designs and for the wider application and variation of tried-and-tested structures. The authors have developed an innovative, drawing-based approach for unfolding the potentials of several existing building types for the future of urban housing. The first part is dedicated to the courtyard house, in which the courtyard is used as a private outside living space. The second part deals with the popular form of the terraced house and discusses aspects ofcorner solutions or terraced developments as an urban design element. In the third part, the townhouse is discussed with view to variants such as single-story and apartment buildings, including aspects of privacy and public access, as well as living and working. Finally, the detached house type is considered in its potential to provide all-directionalorientation of the living space. The array of solutions is presented consistently in floorplans and cross-sections drawn to scale. In a new introduction to this all-in-one compendium the authors discuss the implications of the typological approach for today's housing design.
Domestic Space in Classical Antiquity Autores:
Housing is shaped by culturally-specific expectations about the kinds of architecture and furnishings that are appropriate; about how and where different activities should be carried out; and by and with whom. It is those expectations, and the wider social and cultural systems of which they are a part, that are explored in this volume. At the same time, the book as a whole argues two larger points: first, that while houses, households and families have in recent years become increasingly important as objects of inquiry in Greek and Roman contexts, their potential as sources of information about broader social-historical issues has yet to be fully realised; and second, that greater weight and independence should be given to material culture as a source for studying ancient history. The book will be invaluable for upper-level undergraduates, graduate students and scholars.
Designing the French Interior: The Modern Home and Mass Media Autores:
Designing the French Interior traces France's central role in the development of the modern domestic interior, from the pre-revolutionary period to the 1970s, and addresses the importance of various media, including drawings, prints, pattern books, illustrated magazines, department store catalogs, photographs, guidebooks, and films, in representing and promoting French interior design to a wider audience. Contributors to this original volume identify and historicize the singularity of the modern French domestic interior as a generator of reproducible images, a site for display of both highly crafted and mass-produced objects, and the direct result of widely-circulated imagery in its own right. This important volume enables an invaluable new understanding of the relationship between architecture, interior spaces, material cultures, mass media and modernity.
Small Environments Autores:
A visual look at the architectural details of smaller residential spaces The Contemporary Design Details series takes a highly visual look at architectural design details that are more often dealt with in a technical textbook format. The books take readers on a tour of the best details designed by great architects around the world. The series provides a powerful presentation of the most challenging and evolving architectural and design categories. Small Environments focuses on the type of architectural details that make up distinctive residential spaces under 1,200 square feet (120 square meters). It presents recent work by architects from around the globe in color photographs and architectural drawings. Rather than simply another compendium of small projects, the book is structured according to categories of architectural detail. It includes sections on components essential to the design of small spaces, such as built-in pieces, mobile systems, storage, outdoor rooms, siting strategies, and daylighting details.
Small Houses: Contemporary Japanese Dwellings Autores:
Japanese residential building has fascinated whole generations of architects. Alongside the strict implementation of design concepts, the small conceptual houses are excellent examples for the demonstration of creative experimentation in terms of spatial configuration, materials and the ability to organise even the smallest of spaces. These houses are like miniature laboratories, clearly showing not only the creativity of Japanese architects but also the treatment of ‘the ephemeral'and the various layered boundaries between private and public space. The fast pace of change in Japanese cities has generated an enormous architectural treasure trove for the Western world. This treasure trove will be documented in Small Houses, a book that will also familiarise the reader with the broader aspects of Japanese culture.Small Houses is a book about Japanese residential building aimed at architects, interior designers, students and anyone interested in this exciting and dynamic scene. The book focuses on the small houses, mainly one-family houses. The selected projects are by both internationally renowned architects and by architectural practices that are little known outside Japan. An in-depth treatment will be presented for each project, which will familiarise readers with the cultural and societal context and the particular Japanese way of treating certain architectural elements. The presentation of details that are irrelevant outside of Asia is avoided. The book focuses on existing residential buildings that are represented by images and other architectural graphics such as layouts and sections.
Schools and Kindergartens Autores:
As a new generation of educational environments are designed and built, this Design Manual illustrates the most up-to-date educational strategies and how they are realized in built form. Concepts such as working with small teams of students, interdisciplinary learning and inclusion of SEN students all require specific spation solutions. This specialized field is explained in all its relevant aspects such as role in the community, outdoor spaces, sustainability and technical requirements such as lighting and acoustics. With over 70 case studies from Europe, North America and the Pacific Region, this is an essential guide for architects involved in the design of schools and kindergartens.
Basics Office Design Autores:
The dimensions of the core elements of office workplaces – desk and chair – together with the necessary circulation areas determine the design of office buildings. Starting with the module of the individual workplace, larger space configurations result from adding these workplaces in a variety of arrangements, resulting in different office layout typologies. In addition to the space required for desk and chair, it is necessary to provide the required distances as well as floor area for cupboards, movement, and circulation routes within the office rooms. Basics Office Design explains the parameters of this common design task in a clear and easy-to-understand way, placing as much emphasis on ergonomics, comfort, and orientation as on the space requirements, functional relationships, and the different types of offices.
Detail in Contemporary Office Design Autores:
Office design has changed significantly over the last few years and is now one of the most innovative areas of interior design. It used to be the case that only the public spaces of an office were creatively designed, but increasingly the staff areas are seen as key reflections of the company brand as well. In more radical offices, there is also a growing belief in the importance of work areas as social spaces and a blurring of the distinction between work and recreation. This book explores in detail 42 of the best recent office design schemes, featuring projects from leading architects around the world. Each project includes photographs as well as detailed drawings and plans, where appropriate, in addition to informative text describing the design concept and process. A bonus CD contains drawings featured in the book, in both eps and dwg (generic CAD) formats.
The Distributed Workplace: Sustainable Work Environments Autores:
The Distributed Workplace provides in one volume essential information on sustainable work environments which will be invaluable to those developing workplace strategies for end-user organizations as well as suppliers of office buildings, information and communications technologies and building operation services. Municipal authorities and other organizations concerned with sustainable development and sustainable workplaces will also benefit from this book.
Designing the Patient Room: A New Approach to Healthcare Interiors Autores:
Interior architecture is the main factor in creating pleasant environments for in-patient healthcare. Whether in paediatric or geriatric wards, economic efficiency, patient well-being and staff satisfaction are increasingly the focus of treatment, healing and healthcare concepts around the world. Well-designed interior architecture concepts for patient rooms can benefit the patient's process of recovery and, through its atmosphere and functionality, improve the quality of the hospital experience. This book explores the design of the patient room as a core part of healthcare environments. It describes the different design components, such as material, colour, light and surface finish, and addresses the needs of hygiene and the specific challenges presented by demographic change and digitisation, as well as workflow issues and economic efficiency. Fourteen international case studies illustrate these design principles.
Living for the Elderly: A Design Manual Autores:
Quality living in old age is one of the key topics of our time. Architecture and the building industry contribute innovative forms of living, intelligent concepts and individual solutions for people with physical or cognitive limitations. Integrative forms of housing and living emerge from sophisticated design solutions, transcending the boundaries between individual, collective and assisted forms of living. This updated new edition includes an additional introductory article on programming and six new and current international case studies in the chapter on integrated housing and neighbourhood concepts.
Environmental Gerontology Autores:
This volume translates the insights derived from contemporary research on residential environments and public spaces that enhance well-being into practical recommendations for the design of such beneficial community environments.The text is grounded in the conceptual and theoretical underpinnings of current research on place attachment, environmental meaning, and community living in later life. Emphasis is placed on how to design residential spaces that facilitate the development of a sense of place or home, and investigation is made into the kinds of lifestyles such spaces foster and support. A major theme pervading the text is the juxtaposition of private and public space. The book also addresses such themes as the transformation of spaces into places of personal identification and attachment, the need for shared intergenerational spaces, and consideration of diverse populations when designing public spaces.
Architect's Pocket Book of Kitchen Design Autores:
As with the best-selling'Architects Pocket Book'this title includes everyday information which the architect/designer normally has to find from a wide variety of sources and which is not always easily to hand.Focusing on kitchen design, this book is of use to the student as well as the experienced practitioner. It outlines all the information needed to design a workable kitchen, including ergonomics, services such as water and waste, appliances, and material choices for the floor, walls and ceiling.
Detail in Contemporary Bar and Restaurant Design Autores:
Bars and restaurants need to be assertive. Customers tend not to visit them to satisfy basic appetites for food or drink but for the social opportunities. Their interiors need to occupy the imagination of their customers and to whet the appetite for a return visit. The design that gets the formula right will do as much to prolong the life of the business as the products on offer. As this book demonstrates, the conventions and mechanics of eating and drinking influence how bars and restaurants are conceived in different regions of the world. Whatever the final result users are in sustained, intimate contact with the elements of the space they inhabit and detailing must be refined enough, and visually rich enough, to withstand prolonged scrutiny. This book includes a wide range of international projects and for each one there is a descriptive text, colour photographs, floor plans, sections and construction and decorative details.
Acrylic Fusion: Experimenting with Alternative Methods for Painting, Collage, and Mixed Media Autores:
This unique reference book is designed to excite and motivate you to push beyond traditional techniques and to explore new approaches to painting. Acrylic Fusion frees you from traditional approaches to painting by exposing you to a diverse range of alternative techniques, unconventional processes, and the integration of unique materials that stimulate creativity and encourage experimentation. It's a must-have resource aimed at artists who make paintings, but it is also a great reference for any crafters, makers, and DIYers who use paint in their work, whether they make art journals, design greeting cards, or refinish furniture because the techniques can easily be adapted for many different kinds of projects and applications.
Basics Concrete Construction / Autores:
Concrete is the “modern” construction material that has helped shape the fundamental static principles of structural load bearing. Similar to masonry, concrete effectively transmits pressure downward, but its weak point is tractive forces. Concrete has also enabled freer use of architectonic forms. This title imparts the basic knowledge every architect needs to master for planning reinforced and non-reinforced concrete construction.
Basics Designing with Water / Autores:
Water is a special design element in open space planning and one that lends a decidedly distinguished touch. But it is not enough merely to insert water basins and fountains at the appropriate spots in architectural drawings. As early as the design stage the planner must begin to think about where the water is going to come from, where it is going to drain, and how it is going to be cleaned.
Basics Facade Apertures Autores:
Façade apertures represent the realm of the exterior wall or facade, which establishes the connection between inside and out and makes it possible to illuminate and ventilate the spaces behind it. This volume deals with the various forms of openings, such as doors, windows, ventilation elements, and fixed glass panes, and their materialization, which also varies according to function; special attention is given to the subject of edges. Themes: Types and positions of openings Technical requirements Construction types Connections/edges
Basics Loadbearing Systems / Autores:
Loadbearing systems are the basis of any structure. In order to provide architecture students with an easily understandable introduction to the field of supporting structures, this volume begins with the fundamentals of loads and forces and then moves on to building components and finally to loadbearing systems, together with their characteristic attributes.Subjects: Loads; Forces; Structural building components; Supporting structures and systems; Presizing.
Basics Masonry Construction / Autores:
Masonry construction is usually the first building exercise the student encounters in his or her training. This volume elaborates the fundamental principles of scale, construction, and assembly of building components using simple masonry structures as examples.
Basics Materials / Autores:
The materiality of buildings and constructions is an important aspect of architectural design. The approach to and use of materials is a fundamental building block of architectural training.
Basics Steel Construction / Autores:
Buildings with wide spans, such as industrial plants and warehouses, are usually built with steel. The architect must understand the specific material properties and requirements of steel as a construction material, including its static properties, which influence dimensioning and profile selection. Step by step, Basics Steel Construction imparts the basic understanding needed for planning with steel as a building material.
Basics Timber Construction / Autores:
Together with masonry construction, timber construction is usually one of the first building exercises encountered by the student in his or her training. This volume begins by presenting the building material timber in all of its facets and explaining the fundamental principles of timber construction. It then goes on to describe the most important building components and their constructive possibilities, specifically as they pertain to building with timber. Subjects: Timber as building material, Timber preservation, Systems for building with timber, Building components from foundation to roof.
Building Openings Construction Manual: Windows, Vents, Exterior Doors
Building openings provide light, ventilation and climate control for rooms. At the same time, they are essential functional and design elements of facades, enabling communication between indoor and outdoor spaces as transparent or translucent structural components. Similar to the entire building envelope, windows and exterior doors must meet exacting standards for materials, construction types and installation conditions, as well as for fire, noise and thermal insulation, energy efficiency, airtightness and building security. The Building Openings Construction Manual opens with historic developments, provides solid facts on standards and safety features. It covers materials, components, construction types and specifics of structural connections, including solutions on how to deal with existing older windows and issues of ventilation, the use of solar energy and ecological sustainability. Detailed case studies offer a wealth of constructive ideas for the reader's own work.
Ceramic Material Systems: In Architecture and Interior Design Autores:
Far beyond its long-standing decorative and protective use, architectural ceramics has matured into a material system of great potential. Triggered by material research, design computation and digital fabrication methods, the innovations in ceramic technology are enabling expanded applications for ceramics as a multi-functional, performative material system.Ceramic material systems comprise the full ecosystem from material extraction and processing to the assembly of construction elements and their eventual reuse and recycling. This book establishes the state of the art of this quickly emerging field, with a particular interest in presenting the knowledge needed for developing project-specific solutions that often involve custom ceramic elements. The authors provide a rigorous background of the materials and associated technologies as well as inspiration from the very best contemporary buildings using ceramic systems, along with an overview of emerging ceramic technologies and research.The main section of the book is supplemented with a descriptive and critically commented listing of the most interesting and innovative ceramic products on the market today, ranging from interior tile products to complex active façade systems and roof products.
Construction and Detailing for Interior Design Autores:
Construction and detailing are vital skills for all students studying interior design and architecture. This book is structured to encourage a diversity of techniques, allowing each student the means to find and put into practice the appropriate solution to fabrication issues and also to express their own personal aesthetic. The relation of existing building shells to the construction and detailing of new elements is also explored. Practical tips are given throughout the book, the roles of consultants, manufacturers, suppliers, and fabricators are explained, and theories of modern, sustainable approaches to interior detailing are discussed. The chapters are packed with professional, annotated drawings and explanatory photographs of techniques, materials, and tools. Through these, the principles of sound construction are explained. This second edition includes revised diagrams to increase clarity, more on sustainability, and more on services and lighting.
Emergent Timber Technologies: Materials, Structures, Engineering, Projects Autores:
The “old” material of wood has been used to construct dwellings of different types since the dawn of mankind. And not without reason. Its low density combined with high rigidity, good processability, and its resistance makes it an excellent building material.There is currently a pioneering renaissance of the timber construction, for two distinct reasons: first, wood is increasingly being rediscovered as one of the most important renewable raw materials for sustainable construction. Moreover, a revolution in the construction of timber structures began several years ago with the ever-progressive use of three-dimensional CAD models for digitally controlled robot manufacturing The book documents these developments, in particular the engineering bonding techniques, the introduction of digital production techniques, and the innovative material developments of this material. The chapter on composite structures and experimental structures specifically address trends toward the future-oriented dimensions of timber construction.
Flooring (Vol. 1) : Standards, Solution Principles, Materials Autores:
The surfaces and composition of flooring make a decisive contribution to the perceived atmosphere, quality and appreciation of rooms. At the same time, flooring must be capable of bearing the enormous loads expected of it. Volume 1 of the publication should aid in the construction and the design of flooring and screeds. In addition to a fundamental theoretical basis, it offers decision-making tips and background information on various types of flooring and materials as well as how to plan proper structural connections and transitions.
Flooring (Vol. 2) : Design, Life Cycle, Case Studies Autores:
The surfaces and composition of flooring make a decisive contribution to the perceived atmosphere, quality and appreciation of rooms. At the same time, flooring must be capable of bearing the enormous loads expected of it. Volume 1 of the publication should aid in the construction and the design of flooring. In addition to a fundamental theoretical basis, it offers decision-making tips and background information on various types of flooring and materials as well as how to plan proper structural connections and transitions.Volume 2 focusses on historical developments, with a particular emphasis on flooring as an architectural design element, sustainability concerns and issues often faced during renovations/modernisation. Corresponding case studies of successfully completed projects can serve as inspiration for the reader's own projects.
How Buildings Work Autores:
Illustrated with hundreds of illuminating line drawings, this classic guide reveals virtually every secret of a building's function: how it stands up, keeps its occupants safe and comfortable, gets built, grows old, and dies--and why some buildings do this so much better than others. Drawing on things he's learned from the many buildings he himself designed (and in some cases built with his own hands), Edward Allen explains complex phenomena such as the role of the sun in heating buildings and the range of structural devices that are used for support, from trusses and bearing walls to post-tensioned concrete beams and corbeled vaults. He stresses the importance of intelligent design in dealing with such problems as overheating and overcooling, excessive energy use, leaky roofs and windows, fire safety, and noisy interiors. He serves up some surprises: thermal insulation is generally a better investment than solar collectors; board fences are not effective noise barriers; there's one type of window that can be left open during a rainstorm. The new edition emphasizes'green'architecture and eco-conscious design and construction. It features a prologue on sustainable construction, and includes new information on topics such as the collapse of the World Trade Center, sick building syndrome, and EIFS failures and how they could have been prevented. Allen also highlights the array of amazing new building materials now available, such as self-cleaning glass, photovoltaics, transparent ceramics, cloud gel, and super-high-strength concrete and structural fibers. Edward Allen makes it easy for everyone--from armchair architects and sidewalk superintendents to students of architecture and construction--to understand the mysteries and complexities of even the largest building, from how it recycles waste and controls the movement of air, to how it is kept alive and growing.
Interior Surfaces and Materials Autores:
Architecture is defined by its materials and surfaces. Not infrequently, it is their look and feel that determine whether a project succeeds or fails. For this reason, it is crucially important that planners choose the right materials and use them correctly, a task that is especially challenging today, when they are confronted with an almost dizzying variety of design possibilities and almost unlimited industrial production techniques. In Detail: Materials for Interiors provides detailed and specific information on the use of appropriate materials in interior design. The book leads off with an overview of the range of available products for interior design, including large-format photographs of each material and interiors that use them. This is followed by detailed discussions of relevant aspects and production methods of the individual material groups, including selected examples. The processing of the materials is illustrated by production photographs from the construction site and numerous detail drawings. In the accompanying texts, expert planners who specialize in the various materials share their practical knowledge of how to use them.
Material Revolution II: New Sustainable and Multi-Purpose Materials for Design and Architecture / Autores:
Following the huge success of Material Revolution, this second volume addresses the rapid development of material research and presents materials new to the market since 2010.The significance of sustainable and intelligent materials in design and architecture has increased enormously over the last two years. Numerous new products have been introduced to the market and designers'thirst for knowledge about the sustainability of new material is as strong as ever, making a sequel to Material Revolution necessary. The new volume contains a similar system of classification but covers a completely different range of materials. There is a chapter dedicated solely to the criteria and factors of sustainable product design, as well as to innovative projects by designers and architects that work with new materials and technologies.
Materials, Structures, and Standards : All the Details Architects Need to Know but Can Never Find Autores:
Most architectural standards references contain thousands of pages of details-overwhelmingly more than architects need to know to know on any given day. Now there is a place where architects can find vital information essential to planning and executing architectural projects of all shapes and sizes-in a format that is small enough to carry anywhere. Materials, Structures, and Standards distills the data provided in standard architectural volumes and offers and easy-to-use reference for the most indispensable-and most requested-types of architectural information. Part 1, 'Building an Architectural Project' addresses basic geometry, architectural drawing types, AutoCAD guidelines, building codes, accessibility issues, structural and mechanical systems, conventional building components, and sustainable design. Part 2, 'Materials' provides a detailed catalog of wood, masonry and brick, metals, concrete, and interior finishes. Also included are an illustrated glossary of architectural terms and a cross-referenced guide to the most helpful books, organizations, and websites.
Materials and Interior Design Autores:
The choice of materials is critical to the success of an interior. This book examines every aspect of the the use of materials in interior design, from initial concept and selection to visual representation and practical application. Following a brief introduction, the first five sections offer historical context and detailed guidance on selection, application, representation, communication, and sources, while the sixth and final section features case studies by international interior designers. The book includes useful step-by-step sequences, information on properties and sustainability, and a list of resources, online archives, and sample libraries. It is an invaluable practical and inspirational guide for interior design students.
Smart Materialsin Architecture, Interior Architecture and Design / Autores:
The use of smart materials in architecture is a dynamic and innovative area merging research, development, and use. Smart materials, with their reversible characteristics, respond to stimuli such as light, temperature, and electrical field by changing their form,color,viscosity, etc. One of the most fascinating developments is the advent of Phase Change Materials. These materials make it possible, for example, to develop self-acting, kinetic facades and wallpaper that changes its color and pattern based on temperature and light. The book presents the development of these materials and also describes their use in the contexts of architecture, design, and art. It offers a systematic overview with a detailed discussion of properties, technologies, products, and projects based on twenty groups of smart materials.
Textile Technology and Design Autores:
Textile Technology and Design addresses the critical role of the interior at the intersection of design and technology, with a range of interdisciplinary arguments by a wide range of contributors: from design practitioners to researchers and scholars to aerospace engineers. Chapters examine the way in which textiles and technology – while seemingly distinct – continually inform each other through their persistent overlapping of interests, and eventually coalesce in the practice of interior design. Covering all kinds of interiors from domestic (prefabricated kitchens and 3D wallpaper) to extreme (underwater habitats and space stations), it features a variety of critical aspects including pattern and ornament, domestic technologies, craft and the imperfect, gender issues, sound and smart textiles. This book is essential reading for students of textile technology, textile design and interior design.
Unfolded: Paper in Design, Art, Architecture and Industry Autores:
In Unfolded—Paper in Design, Art, Architecture and Industry paper conquers the third dimension and demonstrates the undreamed-of possibilities it holds today for lightweight construction, product design, fashion and art. From'Paper', the collection of bags by Stefan Diez, to Konstantin Grcic's paper models and the scented paper garments of Issey Miyake, this book presents paper as ahigh-quality contemporaryand ecologicalmaterial.Anenormous selection of projects, the lavish design and numerous illustrations provide designers with invaluable inspiration for their work. The content core of the bookis a comprehensive list of state-of-the-art paper productsand innovative paper technologies,supporting designers in their everyday work with detailedinformation on the'high-tech'material paper. From Japanese washi paper and paper foam, to ceramic paper and carbon fiber paper, Unfolded presents the latestin research and development, as well as the most important methods and technologies in handcrafts and industry.
Manual práctico de iluminación / Autores:
La luz juega un papel decisivo en la realización de proyectos arquitectónicos y de diseño de interiores. Sin embargo, los textos relativos al tema, son principalmente catálogos de fabricantes de fuentes de luz y de equipos de Iluminación. Hasta ahora, con la publicación de este Manual, no existía un documento que concentrara toda la información relevante al momento de aproximarse a un proyecto de iluminación.
Luz / Materia : Estrategias proyectuales para la iluminación de espacios arquitectónicos / Autores:
l texto busca que tanto los estudiantes de arquitectura como los profesionales experimentados comprendan las consideraciones y los procedimientos involucrados en el diseño de sistemas de iluminación natural y artificial, a partir de una perspectiva centrada en el uso eficiente de la luz y los dispositivos arquitectónicos que permiten controlarla.
Lighting for Interior Design Autores:
Without light, interior architecture cannot be fully designed and experienced. It is one of the key tools for an interior designer, but can be a dauntingly technical subject for students. Part One, Theory, looks at the physics and technology behind lighting. Part Two, Process and Practice, looks more specifically at the use of lighting in interior design and outlines the key design issues and principles. The book goes on to show the ways of representing lighting schemes using CAD and 3D models and how to implement and test these designs. Finally, the book explains how to deal with contractors, clients, and other professionals. This book takes a detailed, practical look at lighting in interior design, giving students all the key information and skills they need to be able to tackle lighting successfully in their designs.
Basics Lighting Design Autores:
Daylight is the most important element determining the mood and appearance of architecture, more so than all construction materials. In office buildings in particular, the good provision of daylight and matching artificial lighting installations make an important contribution to energy conservation – the better the use made of daylight, the less energy has to be consumed for artificial lighting. For this reason, typical architectural concepts have changed in recent years; enclosed buildings with full air-conditioning have increasingly made way to buildings that respond to the climate conditions of their environment, thereby using only a much reduced amount of energy without compromising on comfort. The BASICS Lighting Design volume includes the most important principles of daylight and artificial lighting design.
Illuminating: Natural Light in Residential Architecture Autores:
The image of open working and living spaces flooded with light has, more than any other, become fixed in our minds as a symbol of modernity and the spirit of the times. While the workplace has always been the focus of ergonomic studies and optimization with respect to a good provision of daylight, large glass surfaces have now become the order of the day for living spaces as well. But does this automatically make for better illumination? Taking this question as its starting point, the publication Illuminating thematizes central aspects of light planning, including the connection between the provision of daylight and architectural design, building orientation, the nature of the facade, the ground plan, comfort, and the proportions and atmosphere of rooms. In the process, general characteristics and fundamental principles as well as subtle facets of an intelligent treatment of daylight are discussed and critically examined within an expanded architecture- and culture-historical context.
Illumination and Decoration of Flat Surfaces Autores: 
Lamps and Lighting / Autores:
This book is a comprehensive guide to the theory and practice of lighting. Covering the physics of light production, light sources, circuits and a wide variety of lighting applications, it is both suitable as a detailed textbook and as thoroughly practical guide for practising lighting engineers. This fourth edition of Lamps and Lighting has been completely updated with new chapters on the latest lamp technology and applications. The editors ahve called upon a wide range of expertise and as a result many sections have been broadened to include both European and US practice.The book begins with a description of the fundamentals of light, vision, colour and measurement. Part II, the main section of the book, deals with lamps and control equipment and includes descriptions of all lamp types in use today. Part III on lighting covers both interior and exterior applications.
The Manual of Photography Autores:
The tenth edition of The Manual of Photography is an indispensable textbook for anyone who is serious about photography. It is ideal if you want to gain insight into the underlying scientific principles of photography and digital imaging, whether you are a professional photographer, lab technician, researcher or student in the field, or simply an enthusiastic amateur. This comprehensive guide takes you from capture to output in both digital and film media, with sections on lens use, darkroom techniques, digital cameras and scanners, image editing techniques and processes, workflow, digital file formats and image archiving. This iconic text was first published in 1890 and has aided many thousands of photographers in developing their own techniques and understanding of the medium. Now in full colour, The Manual of Photography still retains its clear, reader-friendly style and is filled with images and illustrations demonstrating the key principles.
Photography / Autores:
A complete introduction to photography, this book is an essential resource for students across the visual arts. This accessible, inspirational guide explores the subjects and themes that have always obsessed photographers and explains technique in a clear and simple way. It introduces the work of the masters of the art as well as showing fresh, dynamic images created by young photographers from all over the world. The book also provides a valuable overview of careers in photography and a comprehensive reference section, including a glossary of technical vocabulary. This second edition has been extensively updated, with a greater range of visual examples from master photographers and up-to-date information on digital photography.
Photography: A very short introduction / Autores:
Photographs are an integral part of our daily lives from sensationalist images in tabloid papers and snapshots, to art photograpy displayed in galleries and sold through international art markets. In this thought-provoking exploration of the subject, Edwards combines a sense of the historical development of photography with an analysis of its purpose and meaning within a wider cultural context. He interrogates the way we look and think about photographs, and considers such issues as truth and recording, objectivity and fine art, identity and memory. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Basics Architectural Photography Autores:
Architectural photography is an important tool for studying built architecture and documenting students own projects.Basics Architectural Photography provides a practically based explanation of the key technical aspects of photography, image analysis and photo editing, and includes helpful tips on how to take and process photographs.Topics: Photographic concepts (focal length, image circle, angle of view, depth of focus, exposure time, contrast range, etc.) Equipment (camera, lens, tripod, light meter, etc.) Photographing architecture (perspectives, architectural models, etc.) Stylistic devices in architectural photography Exterior shots Interior shots Image editing, scanning, image correction
Photography and the Art of Chance / Autores:
As anyone who has wielded a camera knows, photography has a unique relationship to chance. It also represents a struggle to reconcile aesthetic aspiration with a mechanical process. Robin Kelsey reveals how daring innovators expanded the aesthetic limits of photography in order to create art for a modern world.
Langford's Starting Photography / Autores:
This established, detailed beginner's guide is the perfect choice if you're looking to develop your knowledge and skills, and take your photography to the next level. This authoritative classic by leading photography writer and lecturer Michael Langford has been refreshed and revised by best-selling photography author Philip Andrews for today's photographers. Strongly focused on digital, but with key references to traditional photography where relevant, offer a full grounding in the topic. Langford's Starting Photography is an ideal technical introduction.All the core basics are included, from how to select and compose a good picture to how different cameras operate and how to decipher their controls. Different subjects are explored, with advice on how to tackle people, places, animals, landscapes and close-ups, and valuable guidance on presenting and assessing finished work.
Photography and Other Media in the Nineteenth Century Autores:
In this volume, leading scholars of photography and media examine photography's vital role in the evolution of media and communication in the nineteenth century.In the first half of the nineteenth century, the introduction of telegraphy, the development of a cheaper and more reliable postal service, the rise of the mass-circulation press, and the emergence of the railway dramatically changed the way people communicated and experienced time and space. Concurrently, photography developed as a medium that changed how images were produced and circulated. Yet, for the most part, photography of the era is studied outside the field of media history. The contributors to this volume challenge those established disciplinary boundaries as they programmatically explore the intersections of photography and “new media” during a period of fast-paced change.
Softimage: Towards a New Theory of the Digital Image / Autores:
With today's digital technology, the image is no longer a stable representation of the world, but a programmable view of a database that is updated in real time. It no longer functions as a political and iconic representation, but plays a vital role in synchronic data-to-data relationships. It is not only part of a program, but it contains its own operating code: the image is a program in itself. Softimage aims to account for that new reality, taking readers on a journey that gradually undoes our unthinking reliance on the apparent solidity of the photographic image and building in its place an original and timely theorization of the digital image in all its complexity, one that promises to spark debate within the evolving fields of image studies and software studies.
David Busch's Mastering Mirrorless Interchangeable Lens Photography Autores:
Mirrorless interchangeable lens cameras are hot! Smaller and lighter than older-style SLRs, mirrorless ILC models use more compact lenses and accessories, and can be easily adapted to use lenses and gear originally designed for conventional SLR cameras—so you can downsize your camera kit and continue using much of your favorite gear. Many mirrorless ILC models are also loaded with popular features like built-in GPS, Wi-Fi, touch screens, autofocus systems, high speed shooting, and other innovations. If you're the proud owner of a new mirrorless ILC, DAVID BUSCH'S MASTERING MIRRORLESS INTERCHANGEABLE LENS PHOTOGRAPHY will show you how to get the most out of this unique technology. In this full-color guide, you'll learn everything from operating the camera's basic controls to more advanced topics such as resolution, aperture/priority exposure, focus zones, flash synchronization options, and much more. David Busch will help you understand the ins and outs of digital photography and show you how to take great photos with your mirrorless interchangeable lens camera.
Furniture for Interior Design Autores:
This comprehensive, practical guide explores how contemporary furniture is used within interior design to define a space, create division and enclosure, and alter or redefine circulation. Initial chapters illustrate the different contexts in which furniture is used, from the office and domestic interiors to retail and exhibition space; look at types of furniture, whether off-the-shelf or bespoke; and explore the new vogue for recycling and vintage. Later chapters examine both traditional materials such as wood and the more unusual such as stone and glass, while also explaining new methods of manufacture – such as Computer Numerical Controlled and Selected Laser Sintering. The final chapter looks at how a design is developed, the site surveyed, prototypes made, and specifications and schedules drawn up. Furniture for Interior Design is a detailed, highly illustrated guide to specifying and placing existing manufactured furniture, but also shows the reader how to design, detail, and commission batch-produced furniture or one-off, site-specific pieces.
Furniture Design: An Introduction to Development, Materials and Manufacturing Autores:
Furniture Design is a comprehensive guide and resource for students and furniture designers. As well as discussing pioneering contemporary and historical designs, it also provides substantive answers to designers'questions about function, materials, manufacture and sustainability, integrating guidance on all of these subjects – particularly material and manufacturing properties, in one accessible and structured volume. Many leading contemporary furniture designers from around the world are included, with case studies carefully selected to highlight the importance of both material and manufacture-led design processes. The book is also intended to provide an insight into furniture design for those considering a college education in product and industrial design.
Limited Edition: Prototypen, Unikate und Design-Art-Möbel Autores:
Limited Edition ist das neue Schlagwort im Möbeldesign. Die Nachfrage nach Einzelstücken steigt mehr und mehr. Designer zelebrieren mit Prototypen, Unikaten und limitierten Produktserien einen Individualitätskult für alle Preisklassen: Möbel-Prototypen, schon immer Bestandteil des industriellen Enwurfsprozesses, werden jetzt aus der Werkstatt geholt und als Verkörperung eines allerneuesten Trends der Öffentlichkeit vorgeführt. Unikate, exklusiv und mit handwerklicher Note, lassen sich im Global Village mit standardisierten Waren zu begehrten Objekten deklarieren. Limitierte Möbelserien befriedigen den Sammlerhunger nach Objekten, die als Möbelskulpturen die Grenze zwischen Design und Kunst auflösen und so auch eine neue Elite von Design-Galeristen hervorgebracht haben.Limited Edition spürt diesem neuen Trend im Möbeldesign nach und deckt dessen Hintergründe auf: in sorgfältigen Recherchen, entstanden auf der Grundlage eines kontinuierlichen Austauschs der Autorin mit Designern, Galeristen und Herstellern. Anhand großartiger Abbildungen und in einem reizvollen Layout präsentiert es die besten und atemberaubendsten Stücke der führenden Designer.
The Making of Design: From the First Model to the Final Product / Autores:
This book takes an in-depth look at design processes, with twenty-five depictions of'the making of'products from a wide variety of industries. Its primary focuses are furniture design, transportation design, and household appliances.Renowned designers like Konstantin Grcic, the Bouroullecs, Stefan Diez, Hella Jongerius, and Sir Norman Foster offer step by step accounts of how they go about designing products for Vitra, Grundig, Jura, and Authentics – the tools they use for visualization and how projects change during the model phase. Plus: an interview with design legend Dieter Rams on realized and unrealized products for Braun.
Street Furniture Design / Autores:
Eleanor Herring's unique study of street furniture in post-war Britain considers how objects which are now familiar parts of our urban environment were designed to populate public spaces. Herring explores the design of lampposts, post boxes, parking meters, and signage in the context of a government backed by various bodies keen to propagate'good'modern design, in a Britain whose towns and cities had been laid waste by bombing and the privations of war.She also considers the innate conservatism of local communities and councils, wary of a standardised street design imposed from above. She traces how the design of street furniture became the site of a fierce struggle which exposed deep-seated anxieties about class, taste and power. Herring's original research draws on archival material and on interviews with leading figures in urban design, including graphic designer Margaret Calvert and industrial designer Kenneth Grange.
Eileen Gray: Her Work and Her World / Autores:
The renowned and highly influential architect, furniture-maker, interior designer and photographer Eileen Gray was born in Ireland and remained throughout her life an Irishwoman at heart. An elusive figure, her interior world has never before been observed as closely as in this ground-breaking study of her work, philosophy and inner circle of fellow artists. Jennifer Goff expertly blends art history and biography to create a stunning ensemble, offering a clear beacon of light into truly understanding Gray - the woman and the professional. Gray was a self-taught polymath and her work was multi-functional, user-friendly, ready for mass production yet succinctly unique, and her designs show great technical virtuosity. Her expertise in lacquer work and carpet design, often overlooked, is given due attention in this book, as is her fascinating relationship with the architect Le Corbusier and many other compelling and complex relationships. The book also offers rare insights into Gray s early years as an artist. The primary source material for this book is drawn from the Eileen Gray collection at the National Museum of Ireland and its wealth of documentation, correspondence, personal archives, photographs and oral history.
Prompt: Socially Engaging Objects and Environments Autores:
Fueled by an increasingly interconnected world, the desire for engaging experiences plays a more important role in interiors than ever before. There is a tendency in the design of products, furniture, and environments toward enhanced interaction that employs psychosocial principles. This publication presents both high and low-tech applications ranging from a light fixture to art installations and fully realized buildings. The book illustrates human-centered design strategies through a series of six chapters, each including examples that introduce one of following approaches: communicating, stimulating, synomorphic, transactional, transformative, and challenging.
Ancient Egyptian Furniture. Volume III / Autores:
In this third volume Dr Killen investigates how woodworking in ancient Egypt developed in the 19th and 20th dynasties. It establishes the range of wooden furniture manufactured during this period by surveying examples depicted in Ramesside Theban and Memphite tombs. Ancient records show how the procurement of furniture occurred at Deir el-Medina while the design and manufacturing of these furniture forms can be traced through a series of furniture sketches that are annotated with a range of marks and signs. These designs are seen in surviving examples of furniture from settlements such as Medinet el-Gurob. To facilitate the manufacture of furniture, procedures were developed that were managed by cooperatives of Egyptian artisans. These groups established a recognisable Egyptian furniture style that was employed throughout the Ramesside world. Depictions of furniture used by the ruling Ramesside elite are examined including a remarkable collection of furniture used by Rameses III, illustrations of which could once be found in a painted wall scene in his tomb (KV11) and still seen carved on the walls of his temple at Medinet Habu. These illustrations show how royal furniture was used as a symbolic tool to promote the Ramesside Empire at the edges of its sphere of influence. Temple furniture was also used to serve a religious purpose in the rituals performed by Ramesside priests, these forms are also analysed in this volume. This third volume contains a catalogue of known Egyptian furniture preserved in world museums that augments those catalogues found in the first two volumes of this series. The author also provides a distribution list with illustrations of a number of replica pieces of woodwork made by him that can now be found preserved in several museums and collections. The purpose of these replica pieces has been to analyse the design and construction techniques used by Egyptian carpenters using a range of replica woodworking tools.
Design in the USA / Autores:
From the Cadillac to the Apple Mac, the skyscraper to the Tiffany lamp, the world in which we live has been profoundly influenced for over a century by the work of American designers. But the product is only the end of a story that is full of fascinating questions. What has been the social and cultural role of design in American society? To produce useful things that consumers need? Or to persuade them to buy things they don't need? Where does the designer stand in all of this? And how has the role of design in America changed over time, since the early days of the young Republic? Jeffrey Meikle explores the history of American design, from the hand-crafted furniture and artifacts of the early nineteenth century, through the era of industrialization and the mass production of the machine age, to the information-based society of the present, covering everything from the Arts and Crafts movement to Art Deco, modernism to post-modernism, the MOMA to the Tupperware bowl. Beautifully illustrated, Design in the USA also includes suggestions for further reading, a timeline, and a list of relevant museums and web sites. It is an excellent source of information for anyone seeking to uncover the imagination and industry behind American design.
Become a Successful Designer – Protect and Manage Your Design Rights Internationally / Autores:
An easy-to-understand guide for designers on the legal topics that deeply affect their everyday professional activities, Become a Successful Designer provides designers with ways to protect and handle their intellectual property rights. Focus groups are all kinds of designers of the product, furniture, interior, fashion, textile, communications, graphics, and computational design areas. The authors Joachim Kobuss, Alexander Bretz and Arian Hassani explain the legal framework and the possibilities to act in that field from a completely new point of view. The law and its effects on the individual designer are described in the context of designers'everyday practice. Here, the legal aspects of design do not appear in incomprehensible legalese but are rather shown as a strategic instrument for designers which can be fun to handle. All topics are discussed from an international and general viewpoint – due to the increasing globalization in the design fields.
Making It: Manufacturing Techniques for Product Design / Autores:
There are many ways in which a product can be manufactured but most designers know only a handful of techniques. Informative and incredibly easy to use, this bestselling book discusses more than a hundred production methods in detail. With specially commissioned diagrams, case studies, and step-by-step photographs of the manufacturing process, Making It uses contemporary design as a vehicle to describe production processes. It lists pros and cons, suitable production volumes, costs involved, speed of production, relevant materials, and typical applications. The new edition of this inspirational book also evaluates each process in terms of sustainability and its effects on the environment. Making It appeals not only to product designers but also to interior, furniture, and graphic designers who need access to a range of production methods, as well as to all students of design. This expanded edition includes nine new processes and an all-new section of more than 40 finishing techniques.
Thomas Day Autores:
Thomas Day (1801-61), a free man of color from Milton, North Carolina, became the most successful cabinetmaker in North Carolina--white or black--during a time when most blacks were enslaved and free blacks were restricted in their movements and activities. His surviving furniture and architectural woodwork still represent the best of nineteenth-century craftsmanship and aesthetics. In this lavishly illustrated book, Patricia Phillips Marshall and Jo Ramsay Leimenstoll show how Day plotted a carefully charted course for success in antebellum southern society. Beginning in the 1820s, he produced fine furniture for leading white citizens and in the 1840s and'50s diversified his offerings to produce newel posts, stair brackets, and distinctive mantels for many of the same clients. As demand for his services increased, the technological improvements Day incorporated into his shop contributed to the complexity of his designs. Day's style, characterized by undulating shapes, fluid lines, and spiraling forms, melded his own unique motifs with popular design forms, resulting in a distinctive interpretation readily identified to his shop. The photographs in the book document furniture in public and private collections and architectural woodwork from private homes not previously associated with Day. The book provides information on more than 160 pieces of furniture and architectural woodwork that Day produced for 80 structures between 1835 and 1861. Through in-depth analysis and generous illustrations, including over 240 photographs (20 in full color) and architectural photography by Tim Buchman, Marshall and Leimenstoll provide a comprehensive perspective on and a new understanding of the powerful sense of aesthetics and design that mark Day's legacy.
Design: History, Theory and Practice of Product Design Autores:
Design today is a global instrument. Bernhard Bürdek traces the progress of design from its beginnings in the late 19th century, through the most significant movements of the 20th century up to those recent developments in biological engineering which will shape the 21st century. Design is now a discipline in its own right and its expertise can be incorporated within interdisciplinary processes. The most important fundamental principles of design theory and methodology are presented, looking in particular at the communicative function of products and highlighting aspects such as corporate and service design, design management, strategic design, interface/interaction design and human design.
Indoor Environment and Health Autores:
A shelter is one of the physiological needs according to Maslow's Hierarchy of Needs, which lies at the bottom of the pyramid. People spend around 90% of their time in shelters, or in today's words: buildings. They sleep, eat, work, relax, exercise, play, are born, and die in these buildings. In fact, they ""live"" within walls. Therefore, an indoor environment is crucial for their health and safety. This book, therefore, addresses the issues related to the impact of a sustainable healthy and comfortable indoor environment on the quality of life, and perceives the required indoor conditions for productivity and effectiveness. Thereby, this book is designed to include issues and extensive discussions on thermal comfort, indoor air quality, visual comfort, acoustic comfort, productivity, and indoor health and safety. The concepts of heating, ventilation, air conditioning, external temperature, air pollution, sick building, indoor pollutants, illumination, glare, indoor lighting, daylight, noise, construction materials, sound intensity, and furniture on the indoor environment are described in detail in this book.
Sociology and Architectural Design Autores:
This book, encouraging more effective collaboration between professional architects and social scientists, outlines how social science research can aid the design process, detailing how physical environment relates to behavior. With a foreword by Hugh F. Cline.
Kissing Architecture Autores:
Kissing Architecture explores the mutual attraction between architecture and other forms of contemporary art. In this fresh, insightful, and beautifully illustrated book, renowned architectural critic and scholar Sylvia Lavin develops the concept of "kissing" to describe the growing intimacy between architecture and new types of art--particularly multimedia installations that take place in and on the surfaces of buildings--and to capture the sensual charge that is being designed and built into architectural surfaces and interior spaces today. Initiating readers into the guilty pleasures of architecture that abandons the narrow focus on function, Lavin looks at recent work by Pipilotti Rist, Doug Aitken, the firm Diller Scofidio + Renfro, and others who choose instead to embrace the viewer in powerful affects and visual and sensory atmospheres.
Critical Design in Japan: Material culture, luxury, and the avant-garde Autores:
This book tells the story of critical avant-garde design in Japan, which emerged during the 1960s and continues to inspire designers today. The practice communicates a form of visual and material protest drawing on the ideologies and critical theories of the 1960s and 1970s, notably feminism, body politics, the politics of identity, and ecological, anti-consumerist and anti-institutional critiques, as well as the concept of otherness. It also presents an encounter between two seemingly contradictory concepts: luxury and the avant-garde. The book challenges the definition of design as the production of unnecessary decorative and conceptual objects, and the characterisation of Japanese design in particular as beautiful, sublime or a product of ‘Japanese culture’. In doing so it reveals the ways in which material and visual culture serve to voice protest and formulate a social critique.
Swedish Design Autores:
Swedish designers are noted for producing distinctive and elegant forms; their furniture and household goods have an especially loyal following around the world. Design in Sweden has more than just an aesthetic component, however. Since at least the late nineteenth century, Swedish politicians and social planners have viewed design as a means for advocating and enacting social change and pushing for a more egalitarian social organization. In this book, Keith M. Murphy examines the special relationship between politics and design in Sweden, revealing in particular the cultural meanings this relationship holds for Swedish society.
Michel Foucault: Vocabulario de nociones espaciales Autores: 
The Imagery of Interior Spaces Autores:
On the unstable boundaries between “interior” and “exterior,” “private” and “public,” and always in some way relating to a “beyond,” the imagery of interior space in literature reveals itself as an often disruptive code of subjectivity and of modernity. The wide variety of interior spaces elicited in literature — from the odd room over the womb, secluded parks, and train compartments, to the city as a world under a cloth — reveal a common defining feature: these interiors can all be analyzed as codes of a paradoxical, both assertive and fragile, subjectivity in its own unique time and history. They function as subtexts that define subjectivity, time, and history as profoundly ambiguous realities, on interchangeable existential, socio-political, and epistemological levels. This volume addresses the imagery of interior spaces in a number of iconic and also lesser known yet significant authors of European, North American, and Latin American literature of the nineteenth, twentieth, and twenty-first centuries: Djuna Barnes, Edmond de Goncourt, William Faulkner, Gabriel García Márquez, Benito Pérez Galdós, Elsa Morante, Robert Musil, Jules Romains, Peter Waterhouse, and Émile Zola.
Cultural Spaces of Design: Prospects of Design Education
Drawing Futures Autores:
Drawing Futures brings together international designers and artists for speculations in contemporary drawing for art and architecture. Despite numerous developments in technological manufacture and computational design that provide new grounds for designers, the act of drawing still plays a central role as a vehicle for speculation. There is a rich and long history of drawing tied to innovations in technology as well as to revolutions in our philosophical understanding of the world. Drawing Futures focuses on the discussion of how the field of drawing may expand synchronously alongside technological and computational developments.
Art in Progress Autores:
In this challenging and erudite philosophical essay, the author argues that in art, belief in progress is still relevant, if not essential. The radical freedoms of postmodernism have had a crippling effect on art - more than ever before, art is in danger of becoming meaningless. Art can only acquire meaning through context, and the concept of progress is ideal as the primary criterion for establishing that context. History of art can be seen as a process of constant accumulation. Works of art comment on each other, enriching each other's meanings. These complex interrelationships lead to progress in both the sensibility of the observer and the significance of the works of art.
Renaissance Futurities Autores:
Renaissance Futurities considers the intersections between artistic rebirth, the new science, and European imperialism in the global early modern world. Charlene Villaseñor Black and Mari-Tere Álvarez reconsider the work of Renaissance genius Leonardo da Vinci (1452–1519), prolific artist and inventor, and other polymaths such as philosopher Giulio “Delminio” Camillo (1480–1544), physician and naturalist Francisco Hernández de Toledo (1514–1587), and writer Miguel de Cervantes (1547–1616).
Banksy. Urban Art in a Material World Autores:
Bristol born Banksy is usually categorized as a Street Artist, although his art, in content and form, transcends a narrow understanding of this term. This publication primarily deals with Banksy as a contemporary Urban Artist and his relationship with consumer culture. It examines Banksy not only in light of his illicit work on the street, but also in regard to his gallery exhibitions. The study highlights representative works of his art, pieces which demonstrate his versatility, but also stand for different periods of his oeuvre. This book presents the first academic study of Banksy’s art in English; with a history and discussion of the terms Graffiti, Street Art and Urban Art and a rich array of biographical information. It will be of interest to academics and the general public as well.
Beyond the Bauhaus Autores:
The Breslau arts scene during the Weimar period was one of the most vibrant in all of Germany, yet it has disappeared from memory and historiography. 'Beyond the Bauhaus' explores the polyvalent and contradictory nature of cultural production in Breslau in order to expand the cultural and geographic scope of Weimar history.
Hesychasm and Art Autores:
Although many of the iconographic traditions in Byzantine art formed in the early centuries of Christianity, they were not petrified within a time warp. Subtle changes and refinements in Byzantine theology did find reflection in changes to the iconographic and stylistic conventions of Byzantine art. This is a brilliant and innovative book in which Dr Anita Strezova argues that a religious movement called Hesychasm, especially as espoused by the great Athonite monk St Gregory Palamas, had a profound impact on the iconography and style of Byzantine art, including that of the Slav diaspora, of the late Byzantine period. While many have been attracted to speculate on such a connection, none until now has embarked on proving such a nexus. The main stumbling blocks have included the need for a comprehensive knowledge of Byzantine theology; a training in art history, especially iconological, semiotic and formalist methodologies; extensive fieldwork in Macedonia, Bulgaria, Serbia, Greece, Turkey and Russia, and a working knowledge of Greek, Old Church Slavonic, Macedonian, Russian, Serbian, Latin as well as several modern European languages, French, German, Russian and Italian.
The Arts and nature : biology and symbolism in Barcelona circa 1900
In the period of Modernisme nature came to the fore as a boundless source of artistic inspiration. Influenced by the cult of nature, creators produced a poetic, symbolic, dreamlike set of images and ideas; at the same time, scientists, experiencing the repercussions of Darwinism, were initiating the debate between creationists and evolutionists. Anti-materialistic and idealistic thinking, which in some cases had coincided with the postulates of the theories of evolution, shaped the framework of sensibilities of the Symbolist movement, in which the landscapes of the soul ranged from approaching the unconscious to voyaging to unexplored islands. This book, an in-depth study of the interrelationship between the arts and nature, embraces all of these phenomena from a plural, organic point of view.
Comradely Objects / Autores:
This book is about two distinct but related professional cultures in late Soviet Russia that were concerned with material objects: industrial design and decorative art. The Russian avant-garde of the 1920s is broadly recognised to have been Russia’s first truly original contribution to world culture. In contrast, Soviet design of the post-war period is often dismissed as hackwork and plagiarism that resulted in a shabby world of commodities. This book identifies the second historical attempt at creating a powerful alternative to capitalist commodities in the Cold War era. It offers a new perspective on the history of Soviet material culture by focusing on the notion of the ‘comradely object’ as an agent of progressive social relations that state-sponsored Soviet design inherited from the avant-garde. It introduces a shared history of domestic objects, handmade as well as machine-made, mass-produced as well as unique, utilitarian as well as challenging the conventional notion of utility. Situated at the intersection of intellectual history, social history and material culture studies, this book elucidates the complexities and contradictions of Soviet design that echoed international tendencies of the late twentieth century. The book is addressed to design historians, art historians, scholars of material culture, historians of Russia and the USSR, as well as museum and gallery curators, artists and designers, and the broader public interested in modern aesthetics, art and design, and/or the legacy of socialist regimes.
How to Study Art Worlds Autores:
This necessary and thought-provoking study brings together the organisational side of the world of the arts and the understanding of the many functions art fulfi lls in our culture. The author sets out to establish how the organisation of art worlds serves the functioning of the arts in society. The book is divided into three sections, the first of which presents a comparative study of approaches to the art world as practiced by Dickie, Becker, Bourdieu, Heinich, and Luhmann, among others. The second part focuses on the philosphical debates concerning 'aesthetic experience'. Besides Kant, scholars such as Gadamer, Foster, Shustermann, Schaeffer and Carroll come to the fore. In the third part, the author traces the consequences of these theoretical approaches for the organization of art world practices.
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